{"title":"“你必须成为一个曲柄才能坚持正确”:索尔·贝娄的喜剧","authors":"A. Dean","doi":"10.1353/sdn.2023.a899470","DOIUrl":null,"url":null,"abstract":"Abstract:The article considers the nature and value of comic expression in Saul Bellow’s Mr. Sammler’s Planet (1970). It begins by taking note of the many public statements Bellow made about the stifling qualities of what he came to call “low seriousness,” the mode he saw as alive in mid-century literary reception. It then shows how Bellow’s comic strategies revise his otherwise overwhelming tendency toward public intellectualizing—and how these ultimately ground a case for literary distinctiveness. The article then focuses on how Mr. Sammler’s Planet makes a mockery of instrumentalized understandings of the legacies of the Shoah, of whatever stripe. This in turn troubles critical attempts to translate the book into some specific political or moral insight. This article demonstrates how the novel levels disturbing thoughts about the ultimate irredeemability of recent history, as we experience all forms of seriousness being stalked by the ghosts of unseriousness.","PeriodicalId":54138,"journal":{"name":"STUDIES IN THE NOVEL","volume":"55 1","pages":"148 - 166"},"PeriodicalIF":0.5000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“You Had to be a Crank to Insist On Being Right”: Saul Bellow’s Comedy\",\"authors\":\"A. Dean\",\"doi\":\"10.1353/sdn.2023.a899470\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:The article considers the nature and value of comic expression in Saul Bellow’s Mr. Sammler’s Planet (1970). It begins by taking note of the many public statements Bellow made about the stifling qualities of what he came to call “low seriousness,” the mode he saw as alive in mid-century literary reception. It then shows how Bellow’s comic strategies revise his otherwise overwhelming tendency toward public intellectualizing—and how these ultimately ground a case for literary distinctiveness. The article then focuses on how Mr. Sammler’s Planet makes a mockery of instrumentalized understandings of the legacies of the Shoah, of whatever stripe. This in turn troubles critical attempts to translate the book into some specific political or moral insight. This article demonstrates how the novel levels disturbing thoughts about the ultimate irredeemability of recent history, as we experience all forms of seriousness being stalked by the ghosts of unseriousness.\",\"PeriodicalId\":54138,\"journal\":{\"name\":\"STUDIES IN THE NOVEL\",\"volume\":\"55 1\",\"pages\":\"148 - 166\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2023-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"STUDIES IN THE NOVEL\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/sdn.2023.a899470\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"STUDIES IN THE NOVEL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/sdn.2023.a899470","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
“You Had to be a Crank to Insist On Being Right”: Saul Bellow’s Comedy
Abstract:The article considers the nature and value of comic expression in Saul Bellow’s Mr. Sammler’s Planet (1970). It begins by taking note of the many public statements Bellow made about the stifling qualities of what he came to call “low seriousness,” the mode he saw as alive in mid-century literary reception. It then shows how Bellow’s comic strategies revise his otherwise overwhelming tendency toward public intellectualizing—and how these ultimately ground a case for literary distinctiveness. The article then focuses on how Mr. Sammler’s Planet makes a mockery of instrumentalized understandings of the legacies of the Shoah, of whatever stripe. This in turn troubles critical attempts to translate the book into some specific political or moral insight. This article demonstrates how the novel levels disturbing thoughts about the ultimate irredeemability of recent history, as we experience all forms of seriousness being stalked by the ghosts of unseriousness.
期刊介绍:
From its inception, Studies in the Novel has been dedicated to building a scholarly community around the world-making potentialities of the novel. Studies in the Novel started as an idea among several members of the English Department of the University of North Texas during the summer of 1965. They determined that there was a need for a journal “devoted to publishing critical and scholarly articles on the novel with no restrictions on either chronology or nationality of the novelists studied.” The founding editor, University of North Texas professor of contemporary literature James W. Lee, envisioned a journal of international scope and influence. Since then, Studies in the Novel has staked its reputation upon publishing incisive scholarship on the canon-forming and cutting-edge novelists that have shaped the genre’s rich history. The journal continues to break new ground by promoting new theoretical approaches, a broader international scope, and an engagement with the contemporary novel as a form of social critique.