《死亡的世界:约翰·麦格亨的回忆录与预期悲伤中的虚无》

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Andrei-Bogdan Popa
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引用次数: 0

摘要

我的文章旨在证明约翰·麦加亨的回忆录将预期悲伤及其后果的物质维度作为一个可以探索对“事物”不同情感反应的空间。首先,我观察文本如何将预期悲伤的记忆编辑在一起,以将“思维装置”(史蒂文·康纳饰)戏剧化为一种情感空间性(玛尔塔·菲格罗维奇饰),与对象世界中的突发事物有关。其次,我观察了McGahern和他的父亲在努力记忆或物化情感时是如何“被事物计时”的(Timothy Morton),以及哀悼本身是如何成为接受非人类时间性的问题。因此,这种与记忆和铭文的文本接触产生了一种预期的替代悲伤的书面形式,一种由“预期的伤害”(索莫吉·瓦尔加和肖恩·加拉格尔)产生的“道德情感”,受试者认为这种伤害会在她死后影响到她身边的人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The World of the Dying:’ John Mcgahern’s Memoir and the Thingness in Anticipatory Grief
My essay will aim to prove that John McGahern’s Memoir foregrounds the material dimension of anticipatory grief and its aftermath as a space in which different affective responses to the “Thing” can be explored. Firstly, I look at how the text edits together memories of anticipatory grief in order to dramatize the “apparatus of thinking” (Steven Connor) as an affective spatiality (Marta Figlerowicz) in relation to an irrupting thingness within the object world. Secondly, I look at how McGahern and his father are “timed by things” (Timothy Morton) in their effort to remember or objectify affect, and how mourning itself becomes a matter of accepting nonhuman temporality. As such, this textual engagement with memories and inscriptions enacts a writerly form of anticipatory-vicarious grief, a “moral emotion” arising from the “anticipated harm” (Somogy Varga and Shaun Gallagher) that the subject feels will affect those close to her after her death.
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来源期刊
Metacritic Journal for Comparative Studies and Theory
Metacritic Journal for Comparative Studies and Theory Arts and Humanities-Arts and Humanities (all)
CiteScore
0.90
自引率
0.00%
发文量
15
审稿时长
7 weeks
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