莱拉·马吉努的流浪苦行僧:苏菲主义与克什米尔社会政治动员

IF 0.1 0 RELIGION
Waseem Ahad, Selma Akgül
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引用次数: 2

摘要

历史上,苏非主义在宝莱坞被描绘成一种可接受的伊斯兰教模式,而政治伊斯兰教则是对印度世俗精神的威胁。克什米尔电影尤其如此。然而,宝莱坞强调苏菲主义的融合维度是对克什米尔伊斯兰历史的盗用。这项研究表明,克什米尔的苏非主义必须被视为一种社会政治运动,它在将低种姓克什米尔人从婆罗门霸权中解放出来方面发挥了重要作用。此外,克什米尔的伊斯兰化必须被视为一个社区的历史演变,而不是从一套信仰过渡到另一套信仰。印度教和伊斯兰教在印度电影中的融合是后殖民民族主义者对世俗印度的想象。这种说法是对失去领土的焦虑的产物,这个国家与领土有着动荡的关系。以这种方式构思的苏非主义,成为了在穆斯林占多数的克什米尔地区进行意识形态同化的工具。本研究探讨了Laila Majnu(2018)的流浪苦行僧主人公,以描绘出苏非主义的“个人主义”和“放弃”维度的表现,这些维度表达了东方主义对原始和压抑的“穆斯林思想”的概念。这部电影的非政治叙事要求进行批判性的探究,因为它是在克什米尔充满政治色彩的气氛中设定的。关键词:宝莱坞,伊斯兰教,克什米尔,莱拉
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Wandering Dervish of Laila Majnu: Sufism and Socio-Political Mobilization in Kashmir
Historically Sufism has been portrayed as an acceptable mode of Islam in Bollywood, and political Islam as a threat to Indian secular ethos. This has been particularly true of Kashmir films. However, Bollywood’s emphasis on the syncretic dimension of Sufism is a misappropriation of Kashmir’s Islamic history. This study establishes that Kashmir’s Sufism has to be seen as a socio-political movement that has been instrumental in liberating the lower caste Kashmiris from the Brahminic hegemony. Also, Islamization in Kashmir has to be seen as a historical evolution of a community, rather than a transition from one set of beliefs to another. The syncretization of Hinduism and Islam in Hindi cinema is an assertion of the postcolonial nationalist imagination of a secular India. This assertion is a product of the anxieties of loss of the territory with which the nation shares a turbulent relationship. Sufism conceived of in this way, becomes instrumental in ideological co-optation of the Muslim-majority Kashmir. The study probes Laila Majnu’s (2018) wandering dervish protagonist to chart out the representation of “individualistic” and “renunciatory” dimension of Sufism that couches Orientalist notions of the primitive and repressive “Muslim mind”. The apolitical narrative of the film mandates a critical inquiry since it is set amidst the politically charged atmosphere of Kashmir. Keywords: Bollywood, Islam, Kashmir, Laila M
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来源期刊
Journal of Religion and Popular Culture
Journal of Religion and Popular Culture Arts and Humanities-Religious Studies
CiteScore
0.30
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发文量
27
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