巴马科录音室创造性地使用低科技(马里)

IF 1.1 4区计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Journal of New Music Research Pub Date : 2022-05-27 DOI:10.1080/09298215.2023.2201242

E. Olivier, A. Pras

{"title":"巴马科录音室创造性地使用低科技(马里)","authors":"E. Olivier, A. Pras","doi":"10.1080/09298215.2023.2201242","DOIUrl":null,"url":null,"abstract":"In Mali, the introduction of 3G alongside growing access to digital audio technologies throughout the 2010s has led a sharp increase in the number of recording studios. Using an ethnography of Bamako studios, we establish a theoretical framework and a methodology to remap music production studies beyond the limits of a Northerncentric narrative. We discuss the notions of high, low and alt tech, and lofi and hifi within the 2010s’ recording studio literature. Drawing upon the description of a tradi-trap production, this paper contrasts local discourses and uses of globalized technologies to highlight the constraints and capabilities of studio practitioners.","PeriodicalId":16553,"journal":{"name":"Journal of New Music Research","volume":null,"pages":null},"PeriodicalIF":1.1000,"publicationDate":"2022-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Creative uses of low tech in Bamako recording studios (Mali)\",\"authors\":\"E. Olivier, A. Pras\",\"doi\":\"10.1080/09298215.2023.2201242\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In Mali, the introduction of 3G alongside growing access to digital audio technologies throughout the 2010s has led a sharp increase in the number of recording studios. Using an ethnography of Bamako studios, we establish a theoretical framework and a methodology to remap music production studies beyond the limits of a Northerncentric narrative. We discuss the notions of high, low and alt tech, and lofi and hifi within the 2010s’ recording studio literature. Drawing upon the description of a tradi-trap production, this paper contrasts local discourses and uses of globalized technologies to highlight the constraints and capabilities of studio practitioners.\",\"PeriodicalId\":16553,\"journal\":{\"name\":\"Journal of New Music Research\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.1000,\"publicationDate\":\"2022-05-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of New Music Research\",\"FirstCategoryId\":\"94\",\"ListUrlMain\":\"https://doi.org/10.1080/09298215.2023.2201242\",\"RegionNum\":4,\"RegionCategory\":\"计算机科学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of New Music Research","FirstCategoryId":"94","ListUrlMain":"https://doi.org/10.1080/09298215.2023.2201242","RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS","Score":null,"Total":0}

引用次数: 0

摘要

在马里，整个2010年代，3G的引入以及数字音频技术的普及，导致录音棚的数量急剧增加。利用巴马科工作室的民族志，我们建立了一个理论框架和方法论，以超越北方中心叙事的限制来重新映射音乐制作研究。我们在2010年代的录音室文学中讨论了高技术、低技术和另类技术，以及lofi和hifi的概念。根据对传统陷阱制作的描述，本文对比了当地话语和全球化技术的使用，以强调工作室从业者的限制和能力。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Creative uses of low tech in Bamako recording studios (Mali)

In Mali, the introduction of 3G alongside growing access to digital audio technologies throughout the 2010s has led a sharp increase in the number of recording studios. Using an ethnography of Bamako studios, we establish a theoretical framework and a methodology to remap music production studies beyond the limits of a Northerncentric narrative. We discuss the notions of high, low and alt tech, and lofi and hifi within the 2010s’ recording studio literature. Drawing upon the description of a tradi-trap production, this paper contrasts local discourses and uses of globalized technologies to highlight the constraints and capabilities of studio practitioners.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Journal of New Music Research 工程技术-计算机：跨学科应用

CiteScore

3.20

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.