Images as Afro-positivist narratives and counter hegemonic strategy: A study of #TheAfricaTheMediaNeverShowsYou

To arrest the negative stereotypes of Africa in and outside the African continent, a number of civil society organizations and activists have launched various social media-assisted initiatives aimed at showcasing the positive facets of African cultures as well as the beautiful touristic attractions existing on the continent. One of such initiatives is the #TheAfricaTheMediaNeverShowsYou movement launched in 2015 to combat the negative and colonial stereotypes of Africa through the sharing of beautiful images and videos of Africa on Twitter. The movement encouraged Africans of all horizons to share attractive images of Africa, particularly the ones that are rarely or never shown on mainstream media. Six years after the project was launched, it is high time to evaluate its strength and know some of its merits and implications. In line with this aphorism, this paper uses secondary sources and a qualitative analysis of images and videos shared on Twitter to examine the contribution of the #TheAfricaTheMediaNeverShowsYou movement to the imperative of challenging colonial representations of Africa. It specifically discusses the genesis, trans-nationalization and promises of the project; and assesses the movement in the light of two philosophico-cultural currents/theories namely Afro-positivism and counter hegemony. The paper argues that the #TheAfricaTheMediaNeverShowsYou movement put to question the popular but problematic belief that Africa is all about negativisms. It started a visual-assisted conversation not only about the wonders found on African soil but also about some of the cultures which non-Africans have often viewed as problematic or controversial. Such a conversation is a proof that Afro-optimism is still much alive on the continent and that; Africans are conscious that the fight against colonial stereotypes is a perpetual battle which must be fought even with the help of new digital cultures such as digitalized image-based activism.