0268布达佩斯千年纪念碑:记忆、民族认同和自我意识的载体

IF 0.2 3区 艺术学 0 ART
Gabor Papp
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引用次数: 0

摘要

在19世纪,匈牙利最重要的国家事件之一是1896年匈牙利征服喀尔巴阡盆地的千年庆典。在布达佩斯的英雄广场上建立了所谓的千年纪念碑(或千年纪念碑),这是节日象征性事件的核心行为。纪念碑由柱廊式建筑框架组成,包含匈牙利领导人和统治者的雕塑画廊。我的论文介绍了纪念碑从概念到完成的创作历史。除了Albert Schikedanz设计的建筑框架的艺术模式外,还特别关注匈牙利雕塑家在著名艺术家Gyorgy Zala的指导下创作的雕塑,以及雕塑家与维也纳艺术场景之间的关系,以及他们使用的模型。除了这些主要的艺术历史方面,我的论文还讨论了纪念馆的文化背景。它寻求一些问题的答案,比如纪念碑是如何在规划阶段就成为国家身份的象征的,或者是什么关于塑造国家自我形象的部分互补的想法决定了纪念碑的最终形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
0268 The Millennial Monument in Budapest as a Bearer of Memory, National Identity and Self-Awareness
In the 19th century, one of the most important national events in Hungary was the 1896 millennial celebration of the Hungarian conquest of the Carpathian Basin. A central act of the festivity’s symbolical episodes was the erection of the so-called Millennium Memorial (or Millennial Monument) at Heroes’ Square in Budapest. The monument consists of a colonnaded architectural framework that embraces a sculpture-gallery featuring Hungarian leaders and rulers. My paper presents the creation history of the monument from concept to completion. Besides the artistic patterns of the architectural framework designed by Albert Schikedanz, special attention is given to the sculptures of Hungarian sculptors working under the guidance of the leading artist, Gyorgy Zala, to the relationships between the sculptors and the artistic scene of Vienna, as well as to the models they used. In addition to these primarily art historical aspects, my paper discusses the cultural context of the Memorial. It seeks answer for questions like, how the Memorial became a symbol of national identity already at the stage of planning or what partly complementary ideas about the shaping of national self-image defined the final form of the Memorial.
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CiteScore
0.20
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