波兰法律与政策下的文化遗产数字化:版权法带来的挑战

Q2 Arts and Humanities
A. Guss
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引用次数: 2

摘要

狭义的数字化是指将模拟数据转换为数字形式。从文化遗产保护的角度来看,文物的数字化不仅意味着将模拟对象转换为数字版本,还涉及到对获得的材料的处理、文件管理,以及最终(但并非总是如此)数字文献的共享。这不是一个简单的程序,因为它有许多限制,包括数字化作品的版权保护问题。本文的目的是根据波兰的法律和政策,提出与文化遗产数字化相关的版权挑战。波兰是文化遗产数字化进程不断发展的国家之一,无论是通过政府计划还是基层数字化运动。然而,波兰法律体系中没有专门针对文化遗产资源数字化的单独规定。由于版权及其与可能被转移到数字空间的作品的关系所造成的限制,这使得确保大量馆藏的数字化变得困难。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Digitization of Cultural Heritage under Polish Law and Policy: Challenges Presented by Copyright Law
Digitization in the narrow sense means the conversion of analogue data into digital form. Looking more broadly through the prism of the protection of cultural heritage, digitization of its objects means not only the conversion of analogue objects into their digital version, but is also related to the processing of the obtained material, file management, and finally, but not always, the sharing of digital documentation. It is not a simple procedure because it has many limitations, including those arising from issues of the copyright protection of digitized works. The aim of this article is to present the challenges related to copyright in relation to the digitization of cultural heritage in the light of Polish law and policy. Poland is one of the countries where the process of digitization of cultural heritage is developing dynamically, both through government programmes and grassroots digitization movements. However, there is no separate regulation in the Polish legal system devoted to the digitization of cultural heritage resources. This makes it difficult to ensure the digitization of a significant part of collections due to the limitations resulting from copyright and their relation to works that can potentially be transferred into the digital space.
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来源期刊
Santander Art and Culture Law Review
Santander Art and Culture Law Review Arts and Humanities-Visual Arts and Performing Arts
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0.50
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