思考Travesti的眼泪:阅读Loxoro

IF 0.1 3区艺术学 0 FILM, RADIO, TELEVISION

CAMERA OBSCURA Pub Date : 2021-12-01 DOI:10.1215/02705346-9349329

G. Cornejo

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引用次数: 1

摘要

这篇文章提供了对秘鲁电影Loxoro(导演)的阅读。克劳迪娅·洛萨(Claudia Llosa)，秘鲁/西班牙/阿根廷/美国，2011年)，由跨性别活动家Belissa Andía主演。“Loxoro”是秘鲁利马的旅行者社区为了生存而使用的一种语言。影片的主要情节围绕着一位旅人母亲和她失踪的旅人女儿之间的纽带展开。这就是为什么在Loxoro，旅游者的眼泪到处都是。这篇文章提出了以下问题:如果Loxoro是一种被遗弃和受伤的恋人在被剥夺和暴力的背景下的语言，那么travesti的眼泪能发挥变革的作用吗?Loxoro提供了什么样的travesti眼泪历史?什么样的旅行损失和亲属关系让你觉得这部电影值得流泪?travesti的眼泪能预示跨性别女权主义者的未来吗?

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Thinking Travesti Tears: Reading Loxoro

This article offers a reading of the Peruvian film Loxoro (dir. Claudia Llosa, Peru/Spain/Argentina/US, 2011), which stars the transgender activist Belissa Andía. “Loxoro” is the name of a language used by travesti communities to survive in Lima, Peru. The main plot of the film centers on the bond between a travesti mother and her missing travesti daughter. That is why in Loxoro, travesti tears abound. This article raises the following questions: If Loxoro is a language for abandoned and wounded lovers in contexts of dispossession and violence, can travesti tears play a transformative role? What history of travesti tears does Loxoro offer? What forms of travesti loss and kinship imagine the film as deserving to mobilize tears? Can travesti tears foretell transfeminist futures to come?

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来源期刊

CAMERA OBSCURA FILM, RADIO, TELEVISION-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers into the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream. Camera Obscura continues to redefine its original statement of purpose. While remaining faithful to its feminist focus, the journal also explores feminist work in relation to race studies, postcolonial studies, and queer studies.