在唱片封面上展示录音室:改变对瑞典爵士唱片的理解

IF 1.3 3区艺术学 0 MUSIC

POPULAR MUSIC AND SOCIETY Pub Date : 2022-08-08 DOI:10.1080/03007766.2022.2123495

Mischa van Kan

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引用次数: 0

摘要

摘要本文分析了早期瑞典爵士乐唱片封面，以了解制作人和使用者是如何理解爵士乐唱片作为一种媒介的。它采用了乔纳森·斯特恩对媒介的定义，即关于使用的社会协议。这篇文章展示了在20世纪50年代瑞典从虫胶唱片向黑胶唱片过渡之后，唱片封面如何重新诠释了对爵士乐唱片的理解。从将一张唱片视为现场音乐的中介，用户和制作人开始将该唱片视为录音室艺术作品的产物。

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Presenting the Studio on Record Covers: Changing the Understanding of Swedish Jazz Records

ABSTRACT This article analyzes early Swedish jazz record covers to understand how producers and users comprehended the jazz record as a medium. It employs Jonathan Sterne’s definition of a medium as a social agreement about use. The article shows how, following the transition from shellac to vinyl records in Sweden in the 1950s, record covers reinterpreted the understanding of the jazz record. From seeing a record as a mediation of live music, users and producers started to see the record as an artifact that resulted from artistic work that had taken place in a recording studio.

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来源期刊

POPULAR MUSIC AND SOCIETY MUSIC-

CiteScore

1.10

自引率

0.00%

发文量

期刊介绍： Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.