流行音乐中的歌唱:对其方法和教学的思考

IF 0.3 0 MUSIC

Oido Pensante Pub Date : 2020-08-06 DOI:10.34096/oidopensante.v8n2.8013

Daniel Ricardo Machuca Téllez, M. Valles

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引用次数: 0

摘要

纵观历史，歌唱在音乐实践中占有重要的地位，这就是为什么歌唱成为专业音乐家训练中需要培养的一项技能。路径来实现这一非常E圣ob ra E圣乔巴u na L ic在ci在iv E C om m C再保险年代三部ci - n oC om er ci al 4 0 te rn ac io na L。186 El章在拉斯维加斯重逢民党:反射en torno苏abordaje y ensenanza丹尼尔Machuca泰雷兹,莫妮卡水手ISSN 2250 - 7116 E L o p i d o E n s 8.2 n t E (agosto 2020 enero区,2021):[185 - 206]doi: 10.34096 / oidopensante.v8n2.8013 ARTICU LO / ARTIGO /汽车列车LE多样化。然而，一种以抒情/合唱风格和美学为基础的学院派声乐生产模式在不同形式的演唱方法中反复出现，以巩固自己作为原型的地位，而不考虑每种风格的语境、异质性和同一性。本文试图反思歌曲教学的未来，特别是它与流行音乐方法的关系。

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El canto en las músicas populares: reflexiones en torno a su abordaje y enseñanza

Throughout history, singing has had a fundamental place in musical practice, which is why it became a skill to be developed in the professional musician’s training spaces. The paths to achieve this have been very E st a ob ra e st á ba jo u na L ic en ci a C re at iv e C om m on s A tri bu ci ón -N oC om er ci al 4 .0 In te rn ac io na l. 186 El canto en las músicas populares: reflexiones en torno a su abordaje y enseñanza Daniel Machuca Téllez, Mónica Valles ISSN 2250-7116 e l o í d o p e n s a n t e 8.2 (agosto, 2020 enero, 2021): [185-206] doi: 10.34096/oidopensante.v8n2.8013 ARTÍCU LO / ARTIGO / ARTIC LE diverse. However, an academic vocal production mode, based on lyrical/ choral style and aesthetics, appears repeatedly to consolidate itself as a prototype in the approach to different forms of singing, without taking into account the context, heterogeneity and identity of each style. This article tries to reflect on the future of song teaching and, in particular, its relationship with the approach of popular music.

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来源期刊

Oido Pensante MUSIC-

CiteScore

0.40

自引率

0.00%

发文量

审稿时长

12 weeks

期刊介绍： The aim of El oído pensante is to promote the discussion of theoretical, methodological and epistemological dilemmas faced by different kinds of music research. Unpublished articles in Spanish, Portuguese and English dealing with ethnomusicology, anthropology, sociology of music, popular music studies, musicology, and cultural studies, among other disciplines, are received. Papers should be original and those which produce criticism of theoretical paradigms, methodology, transdisciplinarity, knowledge validation, research ideologies, representation resources, narrative strategies, ethic and esthetic research perspectives, relationships during the fieldwork experience, social and political research significance, the researcher’s perceptive and conceptual baggage, new technologies and their ways of spreading and sharing knowledge, etc., will be welcome. Since the intention of the journal is to promote critical thought aimed to dismantle usual concepts and to open new approaches, papers restricted to analyzing particular cases will not be accepted. However, it is expected that authors bring some cases into the text in order to support their main ideas. Articles and reviews are received.