时间，存在，话语:服装设计师和编舞合作中职业友谊的要素

IF 0.2 0 DANCE

Choreographic Practices Pub Date : 2021-07-01 DOI:10.1386/chor_00029_1

Tua Helve

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引用次数: 1

摘要

本文通过分析两位杰出的芬兰艺术家——服装设计师Karoliina Koiso-Kanttila和编舞家Carl kniif之间的合作，探讨当代表演制作中的联合创作。通过个人访谈以及与亚里士多德“友谊”一词相关的表演分析作为本案例研究的组成部分，作者从独奏表演及其服装的过程中得出结论，该过程突出了友谊的元素:分享时间，存在和话语。将各方之间的这种关系理解视为一种资产，本研究介绍了在舞蹈表演制作中实现这一目标的积极方法和工具的要素。

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Time, being, discourse: Elements of professional friendship in the collaboration between a costume designer and a choreographer

This article examines joint creation in contemporary performance making by analysing the collaboration between two prominent Finnish artists ‐ costume designer Karoliina Koiso-Kanttila and choreographer Carl Knif. Using personal interviews along with performance analysis framed in relation to the Aristotelian term ‘friendship’ as components of this case study, the author draws conclusions from the process of a solo performance and its costume that foregrounds elements of friendship: sharing time, being and discourse. Viewing this relational understanding between parties as an asset, this study introduces elements of a positive approach and tools to achieve such in the making of dance performance.

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来源期刊

Choreographic Practices DANCE-

CiteScore

0.10

自引率

0.00%

发文量

期刊介绍： Choreographic Practices operates from the principle that dance embodies ideas and can be productively enlivened when considered as a mode of critical and creative discourse. This double-blind peer-reviewed journal provides a platform for sharing choreographic practices, critical inquiry and debate. Placing an emphasis on processes and practices over products, this journal seeks to engender dynamic relationships between theory and practice, choreographer and scholar, so that these distinctions may be shifted and traversed. Choreographic Practices will encompass a wide range of methodologies and critical perspectives such that interdisciplinary processes in performance can be understood as they intersect with other territories in the arts and beyond (for example, cultural studies, psychology, phenomenology, geography, philosophy and economics). In this way, the journal will open up the nature and scope of dance practice as research and draw together diverse bodies of knowledge and ways of knowing to illuminate an emerging and vibrant research area.