一种被滥用的树:伦巴第杨树的兴衰

IF 0.1 3区 艺术学 0 ARCHITECTURE
A. Beamish
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引用次数: 0

摘要

抽象的树种,就像衣服一样,时兴时兴。这项研究的目的是探索伦巴第白杨的文化生活,以及它是如何在美国从备受钦佩演变成被唾骂的。尽管伦巴第白杨早期广受欢迎,但它很快就失宠了,并承受了异常强烈的敌意——它被称为可憎、肮脏、贪婪和毫无价值。该国在19世纪对移民日益增长的仇外心理和敌意,以及一无所知运动,无疑强化并延长了对伦巴第白杨作为“无用外国人”的仇恨,但本文认为,尽管这肯定与早期的本土主义运动有关,但对这棵树的回避更为复杂。它始于费城,当时有一种毫无根据的说法,称伦巴第白杨树产下一种蠕虫,被它叮咬后立即死亡,这引发了恐慌,要求摧毁该市所有白杨树。蠕虫的惨败之后,园艺时尚发生了变化,人们对美国的一切都越来越自豪,对本土树木令人钦佩甚至卓越的品质也越来越欣赏。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A much-abused tree: the rise and fall of the Lombardy poplar
Abstract Tree species, much like clothing, go in and out of fashion. The purpose of this study was to explore the cultural life of the Lombardy poplar and how it evolved from being greatly admired to reviled in the USA. Despite early widespread popularity, the Lombardy poplar fell swiftly from grace and bore the brunt of an unusually high level of hostility—it was variously called odious, nasty, greedy, and worthless. The country’s growing xenophobia and hostility to immigrants in the nineteenth century and the Know-Nothing Movement certainly reinforced and prolonged the hatred of the Lombardy Poplar as a ‘useless foreigner’, but this paper argues that though certainly tied to the early nativist movement, the shunning of the tree was more complex. It began in Philadelphia, with an unfounded claim that the Lombardy poplar produced a worm whose bite caused instant death, which led to panicked calls for the destruction of all poplars in the city. The worm fiasco was followed by changes in horticultural fashion, a growing sense of pride in all things American, and a greater appreciation for the admirable, even superior, qualities of their own native trees.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
12
期刊介绍: Studies in the History of Gardens & Designed Landscapes addresses itself to readers with a serious interest in the subject, and is now established as the main place in which to publish scholarly work on all aspects of garden history. The journal"s main emphasis is on detailed and documentary analysis of specific sites in all parts of the world, with focus on both design and reception. The journal is also specifically interested in garden and landscape history as part of wider contexts such as social and cultural history and geography, aesthetics, technology, (most obviously horticulture), presentation and conservation.
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