寻求平衡:保护价值与艺术家的声音

IF 0.7 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Matthew Skopek
{"title":"寻求平衡:保护价值与艺术家的声音","authors":"Matthew Skopek","doi":"10.1080/01971360.2020.1790908","DOIUrl":null,"url":null,"abstract":"ABSTRACT Traditional exhibition standards in museums may be challenged when an artist assumes an active role in determining the display parameters of a work or exhibition. Particularly with art created since the mid-twentieth century, artists have increasingly conceived their work to encompass aspects of its display environment and have deliberately blurred the boundaries between viewer and art. Finding ways to mediate the desires of the artist and the conditions that would best protect the physical object can be a challenge. Methods for this process may include light-reducing window films, creative exhibition design, and the use of exhibition copies. However, in recent years there has been an increasing reliance on waivers, signed by the owner, that acknowledge a departure from traditional display guidelines and absolves the museum of any consequences. This practice, while legal, raises ethical concerns as to the role and obligations of the conservator charged with the preservation of the work. Drawing from case studies at the Whitney Museum of American Art, this paper explores ways that conservators can continue to provide guidance as we operate in these non-traditional settings.","PeriodicalId":17165,"journal":{"name":"Journal of the American Institute for Conservation","volume":"60 1","pages":"69 - 76"},"PeriodicalIF":0.7000,"publicationDate":"2021-01-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/01971360.2020.1790908","citationCount":"0","resultStr":"{\"title\":\"Seeking Balance: Conservation Values and the Artist’s Voice\",\"authors\":\"Matthew Skopek\",\"doi\":\"10.1080/01971360.2020.1790908\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Traditional exhibition standards in museums may be challenged when an artist assumes an active role in determining the display parameters of a work or exhibition. Particularly with art created since the mid-twentieth century, artists have increasingly conceived their work to encompass aspects of its display environment and have deliberately blurred the boundaries between viewer and art. Finding ways to mediate the desires of the artist and the conditions that would best protect the physical object can be a challenge. Methods for this process may include light-reducing window films, creative exhibition design, and the use of exhibition copies. However, in recent years there has been an increasing reliance on waivers, signed by the owner, that acknowledge a departure from traditional display guidelines and absolves the museum of any consequences. This practice, while legal, raises ethical concerns as to the role and obligations of the conservator charged with the preservation of the work. Drawing from case studies at the Whitney Museum of American Art, this paper explores ways that conservators can continue to provide guidance as we operate in these non-traditional settings.\",\"PeriodicalId\":17165,\"journal\":{\"name\":\"Journal of the American Institute for Conservation\",\"volume\":\"60 1\",\"pages\":\"69 - 76\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2021-01-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/01971360.2020.1790908\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of the American Institute for Conservation\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/01971360.2020.1790908\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the American Institute for Conservation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01971360.2020.1790908","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0

摘要

摘要当艺术家在决定作品或展览的展示参数方面发挥积极作用时,博物馆的传统展览标准可能会受到挑战。特别是在20世纪中期以来创作的艺术中,艺术家们越来越多地将自己的作品纳入展示环境的各个方面,并故意模糊观众和艺术之间的界限。找到调解艺术家欲望和最能保护实物的条件的方法可能是一项挑战。这一过程的方法可能包括减光窗膜、创意展览设计和使用展览复制品。然而,近年来,人们越来越依赖于由所有者签署的弃权书,该弃权书承认偏离了传统的展览准则,并免除了博物馆的任何后果。这种做法虽然合法,但也引发了对负责保护作品的保护人的角色和义务的伦理担忧。根据惠特尼美国艺术博物馆的案例研究,本文探讨了保育员如何在我们在这些非传统环境中运作时继续提供指导。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Seeking Balance: Conservation Values and the Artist’s Voice
ABSTRACT Traditional exhibition standards in museums may be challenged when an artist assumes an active role in determining the display parameters of a work or exhibition. Particularly with art created since the mid-twentieth century, artists have increasingly conceived their work to encompass aspects of its display environment and have deliberately blurred the boundaries between viewer and art. Finding ways to mediate the desires of the artist and the conditions that would best protect the physical object can be a challenge. Methods for this process may include light-reducing window films, creative exhibition design, and the use of exhibition copies. However, in recent years there has been an increasing reliance on waivers, signed by the owner, that acknowledge a departure from traditional display guidelines and absolves the museum of any consequences. This practice, while legal, raises ethical concerns as to the role and obligations of the conservator charged with the preservation of the work. Drawing from case studies at the Whitney Museum of American Art, this paper explores ways that conservators can continue to provide guidance as we operate in these non-traditional settings.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
1.30
自引率
0.00%
发文量
18
期刊介绍: The American Institute for Conservation is the largest conservation membership organization in the United States, and counts among its more than 3000 members the majority of professional conservators, conservation educators and conservation scientists worldwide. The Journal of the American Institute for Conservation (JAIC, or the Journal) is the primary vehicle for the publication of peer-reviewed technical studies, research papers, treatment case studies and ethics and standards discussions relating to the broad field of conservation and preservation of historic and cultural works. Subscribers to the JAIC include AIC members, both individuals and institutions, as well as major libraries and universities.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信