{"title":"寻求平衡:保护价值与艺术家的声音","authors":"Matthew Skopek","doi":"10.1080/01971360.2020.1790908","DOIUrl":null,"url":null,"abstract":"ABSTRACT Traditional exhibition standards in museums may be challenged when an artist assumes an active role in determining the display parameters of a work or exhibition. Particularly with art created since the mid-twentieth century, artists have increasingly conceived their work to encompass aspects of its display environment and have deliberately blurred the boundaries between viewer and art. Finding ways to mediate the desires of the artist and the conditions that would best protect the physical object can be a challenge. Methods for this process may include light-reducing window films, creative exhibition design, and the use of exhibition copies. However, in recent years there has been an increasing reliance on waivers, signed by the owner, that acknowledge a departure from traditional display guidelines and absolves the museum of any consequences. This practice, while legal, raises ethical concerns as to the role and obligations of the conservator charged with the preservation of the work. Drawing from case studies at the Whitney Museum of American Art, this paper explores ways that conservators can continue to provide guidance as we operate in these non-traditional settings.","PeriodicalId":17165,"journal":{"name":"Journal of the American Institute for Conservation","volume":"60 1","pages":"69 - 76"},"PeriodicalIF":0.7000,"publicationDate":"2021-01-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/01971360.2020.1790908","citationCount":"0","resultStr":"{\"title\":\"Seeking Balance: Conservation Values and the Artist’s Voice\",\"authors\":\"Matthew Skopek\",\"doi\":\"10.1080/01971360.2020.1790908\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Traditional exhibition standards in museums may be challenged when an artist assumes an active role in determining the display parameters of a work or exhibition. Particularly with art created since the mid-twentieth century, artists have increasingly conceived their work to encompass aspects of its display environment and have deliberately blurred the boundaries between viewer and art. Finding ways to mediate the desires of the artist and the conditions that would best protect the physical object can be a challenge. Methods for this process may include light-reducing window films, creative exhibition design, and the use of exhibition copies. However, in recent years there has been an increasing reliance on waivers, signed by the owner, that acknowledge a departure from traditional display guidelines and absolves the museum of any consequences. This practice, while legal, raises ethical concerns as to the role and obligations of the conservator charged with the preservation of the work. Drawing from case studies at the Whitney Museum of American Art, this paper explores ways that conservators can continue to provide guidance as we operate in these non-traditional settings.\",\"PeriodicalId\":17165,\"journal\":{\"name\":\"Journal of the American Institute for Conservation\",\"volume\":\"60 1\",\"pages\":\"69 - 76\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2021-01-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/01971360.2020.1790908\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of the American Institute for Conservation\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/01971360.2020.1790908\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the American Institute for Conservation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01971360.2020.1790908","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Seeking Balance: Conservation Values and the Artist’s Voice
ABSTRACT Traditional exhibition standards in museums may be challenged when an artist assumes an active role in determining the display parameters of a work or exhibition. Particularly with art created since the mid-twentieth century, artists have increasingly conceived their work to encompass aspects of its display environment and have deliberately blurred the boundaries between viewer and art. Finding ways to mediate the desires of the artist and the conditions that would best protect the physical object can be a challenge. Methods for this process may include light-reducing window films, creative exhibition design, and the use of exhibition copies. However, in recent years there has been an increasing reliance on waivers, signed by the owner, that acknowledge a departure from traditional display guidelines and absolves the museum of any consequences. This practice, while legal, raises ethical concerns as to the role and obligations of the conservator charged with the preservation of the work. Drawing from case studies at the Whitney Museum of American Art, this paper explores ways that conservators can continue to provide guidance as we operate in these non-traditional settings.
期刊介绍:
The American Institute for Conservation is the largest conservation membership organization in the United States, and counts among its more than 3000 members the majority of professional conservators, conservation educators and conservation scientists worldwide. The Journal of the American Institute for Conservation (JAIC, or the Journal) is the primary vehicle for the publication of peer-reviewed technical studies, research papers, treatment case studies and ethics and standards discussions relating to the broad field of conservation and preservation of historic and cultural works. Subscribers to the JAIC include AIC members, both individuals and institutions, as well as major libraries and universities.