{"title":"赫尔曼·斯特克的《阿哈斯弗》的流浪:一幅被遗忘的画作的重新发现及其唤起性的转变","authors":"Mirjam Rajner, Ahuva Klein","doi":"10.3828/aj.2017.10","DOIUrl":null,"url":null,"abstract":"We would like to thank Prof. Daniel Sperber and Prof. Jacob Klein of Bar-Ilan University, and to the Bessin family for their generous assistance in the preparation of this article. We are also grateful to Yair Ben Uri and Tehila Koenigstein for providing us with important documents relating to Hermann Struck’s paintings in Israel. Prof. Sperber initiated the installation of Hermann Struck’s painting Old Jew in the Faculty of Jewish Studies in the late 1970s. The relief that hangs on the opposite side of Struck’s painting is Shmuel Soltz’s Pardes (1988).","PeriodicalId":41476,"journal":{"name":"Ars Judaica-The Bar Ilan Journal of Jewish Art","volume":"13 1","pages":"129 - 138"},"PeriodicalIF":0.1000,"publicationDate":"2018-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"The Wanderings of Hermann Struck's Ahasver: The Rediscovery of a Forgotten Painting and Its Evocative Transformation\",\"authors\":\"Mirjam Rajner, Ahuva Klein\",\"doi\":\"10.3828/aj.2017.10\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"We would like to thank Prof. Daniel Sperber and Prof. Jacob Klein of Bar-Ilan University, and to the Bessin family for their generous assistance in the preparation of this article. We are also grateful to Yair Ben Uri and Tehila Koenigstein for providing us with important documents relating to Hermann Struck’s paintings in Israel. Prof. Sperber initiated the installation of Hermann Struck’s painting Old Jew in the Faculty of Jewish Studies in the late 1970s. The relief that hangs on the opposite side of Struck’s painting is Shmuel Soltz’s Pardes (1988).\",\"PeriodicalId\":41476,\"journal\":{\"name\":\"Ars Judaica-The Bar Ilan Journal of Jewish Art\",\"volume\":\"13 1\",\"pages\":\"129 - 138\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2018-03-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Ars Judaica-The Bar Ilan Journal of Jewish Art\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3828/aj.2017.10\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ars Judaica-The Bar Ilan Journal of Jewish Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/aj.2017.10","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 1
摘要
我们要感谢巴伊兰大学的Daniel Sperber教授和Jacob Klein教授，以及Bessin家族在撰写本文过程中给予的慷慨帮助。我们也感谢Yair Ben Uri和Tehila Koenigstein为我们提供了与Hermann Struck在以色列的绘画有关的重要文件。20世纪70年代末，Sperber教授在犹太研究学院启动了Hermann Struck画作《老犹太人》的装置作品。Struck画作对面的浮雕是Shmuel Soltz的《Pardes》（1988）。
The Wanderings of Hermann Struck's Ahasver: The Rediscovery of a Forgotten Painting and Its Evocative Transformation
We would like to thank Prof. Daniel Sperber and Prof. Jacob Klein of Bar-Ilan University, and to the Bessin family for their generous assistance in the preparation of this article. We are also grateful to Yair Ben Uri and Tehila Koenigstein for providing us with important documents relating to Hermann Struck’s paintings in Israel. Prof. Sperber initiated the installation of Hermann Struck’s painting Old Jew in the Faculty of Jewish Studies in the late 1970s. The relief that hangs on the opposite side of Struck’s painting is Shmuel Soltz’s Pardes (1988).
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