自由的种族限制在圣白俄罗斯的LLIBERTAT！

Q2 Arts and Humanities

Catalan Review Pub Date : 2019-07-18 DOI:10.3828/CATR.33.1

Jeffrey K. Coleman

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引用次数: 1

摘要

Santiago Rusinol 1901年的戏剧《Llibertat！被称为对加泰罗尼亚自由主义的严厉批判。然而，学术界很少关注鲁西诺讽刺作品中的种族化本质。这篇文章将证明，该剧利用对种族化的他者（Jaumet Negre饰）的拒绝，不仅是为了强调加泰罗尼亚自由主义政治言论的虚伪，也是为了批判自由作为社会理想的概念。正如Josep Maria Mestres 2013年的场景所表明的那样，自由在加泰罗尼亚确实存在，但只存在于某些人，从而在Jaumet Negre所经历的种族不公正与当代加泰罗尼亚因移民而出现的种族化紧张局势之间建立了联系。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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THE RACIAL LIMITATIONS OF FREEDOM IN SANTIAGO RUSIÑOL’S LLIBERTAT!

Santiago Rusinol’s 1901 play Llibertat! is known as a harsh critique of Catalan liberalism. Little scholarly attention, however, has been devoted to the racialized nature in which Rusinol frames his satire. This article will demonstrate that the play uses the rejection of the racialized Other (Jaumet Negre) not only to highlight the hypocrisy of liberal Catalan political rhetoric but also as a way to critique the notion of freedom as a societal ideal. As Josep Maria Mestres’s 2013 mise en scene demonstrates, freedom does exist in Catalonia, but only for some, thus establishing a connection between the racial injustice experienced by Jaumet Negre and the racialized tension that has emerged in contemporary Catalonia as a result of immigration.

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来源期刊

Catalan Review Arts and Humanities-Literature and Literary Theory

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： Published on behalf of the North American Catalan Society, Catalan Review accepts contributions such as research articles, translations, and book reviews dealing with all aspects of Catalan culture. The editors and editorial board are sympathetic to a broad range of theoretical and critical approaches and are strongly committed to presenting the work of talented young scholars breaking new ground in the field. Contributions should be in English or Catalan. All articles published in this journal are peer-reviewed.