“有糖有情”:女裁缝的隐形作品。

K. Käercher, Monalisa Dias De Siqueira
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引用次数: 0

摘要

不同的知识和实践,如治疗、助产、烹饪、刺绣和缝纫,都是为女性保留的。尽管已成为女性孤立的代名词,但多年来,家庭空间一直由妇女自己组织和管理。因此,成为一个知识的中心,即使不明显。这篇文章专门讨论缝纫技术和使它在工作世界中隐形的方面。为此,我们在与对话者的叙述和在行业和职业的社会人类学范围内发展的理论的对话中接近规范女裁缝职业的过程。在将这种知识纳入非正式范围的各个方面中,我们注意到,间歇性的关怀任务是理解这个宇宙的一个重要起点。我们还讨论了知识和实践、关怀、情感和情感是如何与女性在世界上的角色相混淆的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Com açúcar e com afeto”: o trabalho invisibilizado das mulheres costureiras.
Different knowledges and practices such as healing, midwifery, cooking, embroidery and sewing were reserved for women in subordinate spaces. Despite having become synonymous with female isolation, the domestic space has over the years been organized and governed by the women themselves. Thus, becoming a locus of knowledge, even if not evident. This article deals specifically with sewing know-how and the aspects that make it invisible in the world of work. For this, we approach the process of regulating the seamstress profession in a dialogue with the narratives of the interlocutors and the theories developed in the socio-anthropological scope of the trades and professions. Among the aspects that subject such know-how to the informal scope, we observe that the intermittent task of caring is an important starting point to understand this universe. We also discussed how knowledge and practices, care, affection and emotions are confused with the role of women in the world.
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