规划计划:围绕作品Édouard lev

IF 0.5 0 LITERARY THEORY & CRITICISM
T. Tremblay
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引用次数: 1

摘要

借鉴亚里士多德关于能量、能量和能量的概念,本文试图阐明Édouard lev的Œuvres(2002(法语);2014(英语))。这是在后文学的背景下进行的,即遵循一种由解构文学本质(文学的定义)的“品质”(被理解为“意外”)所驱动的美学。它研究了levevel的作品,特别是他的巨著Œuvres(作品),展示了一系列简短的描述性文本,这些文本打算保持它们的潜力,同时,实现这种潜力(一种“在行动”的潜力,通过读者想象中触发的操作)。因此,问题不在于小说的本质或“什么使文学成为文学”,而在于“文学如何实现它的否定”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Planning the Plan: Around Works by Édouard Levé
Drawing on Aristotle's concepts of energeia, dunamis, and ergon, this article attempts to articulate a typology of the different works described in Édouard Levé’s Œuvres (2002 (French); 2014 (English)). This is carried out in the context of post-literary literature, i.e. following an aesthetics driven by the dismantling of ‘qualities’, understood as ‘accidents’, of literature's essence (literature's definition). It studies how Levé’s work, and particularly his opus magnum Œuvres (Works), displays a series of short descriptive texts that intend to remain in their potentiality, while, at the same time, actualising this very potentiality (a potentiality ‘in act’, by an operation triggered in the reader's imagination). The question is therefore less the nature of fiction or ‘what makes literature literature’ than ‘how does literature actualise its negation’.
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CiteScore
0.40
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24
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