音乐表演认知过程分析的基础：音乐活动中的分布式认知

Q1 Arts and Humanities

Music Science Pub Date : 2022-01-01 DOI:10.1177/20592043221108055

E. Payne

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引用次数: 0

摘要

琳达·T·卡斯特拉（Linda T.Kaastra）的《建立对音乐认知过程的分析基础》（Grounding The Analysis of Cognitive Processes in Music）一书的开篇提出了一个问题，这意味着一个雄心勃勃的议程：什么是音乐？正如书名所示，Kaastra通过将她的作品定位在以表演为中心的本体论中来解决这个问题：音乐是行动而不是对象。与其说是“音乐是什么？”，不如说是“在哪里”、“如何”，甚至“音乐什么时候？”。这样一来，这本书的主要关注点——（音乐）知识的位置

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Grounding the Analysis of Cognitive Processes in Music Performance: Distributed Cognition in Musical Activity by Linda T. Kaastra

The opening of Grounding the Analysis of Cognitive Processes in Music by Linda T. Kaastra poses a question that implies an ambitious agenda: what is music? As the title of the book suggests, Kaastra addresses this question by locating her work ﬁ rmly in a performance-centered ontology: music as action rather than object. Not so much “ what is music? ” , then, but rather “ where ” , “ how ” , or even “ when is music? ” . In this way, the main concern of the book — the location of (musical) knowledge

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来源期刊

Music Science Arts and Humanities-Music

CiteScore

2.80

自引率

0.00%

发文量

审稿时长

10 weeks