一个不认识自己的女人

Q2 Arts and Humanities

Visual Culture in Britain Pub Date : 2020-01-02 DOI:10.1080/14714787.2020.1721315

Joanne Tatham, Tom O'Sullivan

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引用次数: 0

摘要

这篇文章是对画家Lil Neilson（1938-198）去世后在她的工作室the Watchie留下的绘画、素描和笔记本的虚构回应。这部作品以尼尔森在她生命的最后十年里所做的工作为起点，当时她回到了阿伯丁郡的卡特林海滨村庄。这篇文章的标题取自尼尔森1993-4年的一幅画。2019年9月，受book Works和Hospitalfield的委托，该文本的扩展、改编和改编版本作为艺术家书籍《苦杯》出版。

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A Woman Unknown to Herself

This article is a fictional response to paintings, sketches and notebooks left behind by the painter Lil Neilson (1938–98) in her studio, The Watchie, after her death. The writing takes as its starting point the work that Neilson made in the last ten years of her life, when she returned to the coastal village of Catterline, Aberdeenshire. The title of the article is taken from a painting Neilson made in 1993–4. An extended, recomposed and adapted version of this text was published as an artists’ book, The Bitter Cup, in September 2019, commissioned by Book Works and Hospitalfield.

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来源期刊

Visual Culture in Britain Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.60

自引率

0.00%

发文量