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引用次数: 0
摘要
摘要:本文探讨了“偶然性”的两种意义之间的张力,即关于叙事的主体——事件,以及关于未被叙事意义同化的偶然性。偶然性是时间现象的系统复杂性与叙事作为一种认知方式的还原启发式之间的差距的表现。然而,复杂的叙事形式可能会选择面对这一差距,而不仅仅是展示它,作为他们不断努力完善叙事和巧妙处理其局限性的一部分。这种可能性的产生是由于叙事形式本身固有的两个特征,即其潜在的反身性和对隐含的依赖。安布罗斯·比尔斯(Ambrose Bierce)的《失踪者之一》(One of the Missing)作为一种手段,通过更具体的术语来阐述这些想法,它既表现出对偶然性和叙事的自觉关注,也表现出超越叙事逻辑强加的隐含潜力。
Eventuality in Fiction: Contingency, Complexity and Narrative
ABSTRACT:This essay seizes upon the tension between two senses of “eventuality,” as concerning the staple of narrative, events, and as concerning the kind of contingency that remains unassimilated by narrative sense. Contingency is a manifestation of the gap between the systemic complexity of temporal phenomena and the reductive heuristic of narrative as a mode of cognition. Sophisticated forms of narrative, however, may choose to confront this gap rather than merely exhibit it, as part of their continual effort to refine narrative and finesse its limitations. The possibility of doing so arises because of two features inherent in narrative form itself, which are its latent reflexiveness and its dependence upon the implicit. “One of the Missing,” by Ambrose Bierce, serves as the means through which these ideas are elaborated in more concrete terms, exhibiting as it does both a self-conscious concern with contingency and narrative, and an implicit potentiality beyond its imposition of narrative logic.