电影改编中的生态女性主义

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Anastassiya Andrianova
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引用次数: 2

摘要

本文对伊夫琴科1961年的《利索娃的皮斯尼亚》和尤里·伊连科的《利索娃的皮斯尼亚》进行了开创性的生态女性主义研究。《玛夫卡》(1980年),两部改编自莱西亚·乌克兰卡同名童话剧的苏乌电影(1911年;《森林之歌》)。它聚焦于对性别和自然的相互关联的描述,以及戏剧的意识形态和物质层面:男性中心主义和森林砍伐。这两部电影的制作与Marko Pavlyshyn所描述的20世纪60年代苏联“自然保护主义意识的出现”不谋而合,也可以说反映了这一点。因此,这篇文章的目标是双重的——为乌克兰电影研究带来新的生态女权主义见解,并提高人们对《Volyn Polisia》的生态意识。《Volyn polisia》为乌克兰的戏剧及其改编提供了背景,目前正面临非法琥珀开采对环境的破坏。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ecofeminism in Film Adaptations of Lesia Ukrainka’s Forest Song
This article off ers a pioneering ecofeminist study of Viktor Ivchenko’s Lisova pisnia (1961) and Yurii Illienko’s Lisova pisnia. Mavka (1980), two Soviet Ukrainian film adaptations of Lesia Ukrainka’s eponymous fairy-drama (1911; Forest Song). It focuses on the interrelated depiction of gender and nature along with the drama’s ideological and material aspects: androcentrism and deforestation. The production of both fi lms coincides with, and arguably refl ects, what Marko Pavlyshyn describes as “the emergence of a conservationist consciousness” in the USSR in the 1960s. The article’s goal is therefore twofold – to bring new ecofeminist insights into Ukrainian fi lm studies and to raise eco-awareness about the Volyn Polissia, which provides the setting for Ukrainka’s drama and its adaptations, and currently faces environmental devastation from illegal amber mining.
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来源期刊
Kyiv-Mohyla Humanities Journal
Kyiv-Mohyla Humanities Journal HUMANITIES, MULTIDISCIPLINARY-
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