“疏忽大意”:莫兰特的《阿拉科利》中利奥帕尔迪的遗产

IF 0.3 0 LITERATURE, ROMANCE
Frances Clemente
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引用次数: 0

摘要

这一贡献解决了贾科莫·利奥帕尔迪在埃尔萨·莫兰特的《阿拉科利》(1982年)中迄今为止被忽视的遗产,揭示了小说中存在两个直接的利奥帕尔德形下文本:“萨福的终极合唱”(1822年)和“自然对话”(1824年)。特别是关注Aracoeli和Leopardi的《萨福的终极之歌》之间的对应关系,这篇文章指出了这两部作品的哀悼方面,其中叙事和抒情的声音(分别是Manuele和Saffo)唱出了一首宣泄的挽歌,通过这首挽歌,他们的痛苦非但没有被抹去,反而为和解留下了空间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Negletta prole’: Leopardi’s legacy in Morante’s Aracoeli
This contribution addresses Giacomo Leopardi’s so far neglected legacy in Elsa Morante’s Aracoeli (1982), by unveiling the existence of two direct Leopardian hypotexts in the novel: the ‘Ultimo canto di Saffo’ (1822) and the ‘Dialogo della Natura e di un Islandese’ (1824). Focusing, in particular, on the correspondences between Aracoeli and Leopardi’s ‘Ultimo canto di Saffo’, the contribution points to the mourning aspect of the two œuvres, in which the narrative and lyrical voices (respectively, Manuele and Saffo) chant a cathartic elegy through which their wretchedness, far from being erased, leaves space for a resolving conciliation.
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来源期刊
Cuadernos de Filologia Italiana
Cuadernos de Filologia Italiana LITERATURE, ROMANCE-
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