柏拉图《会饮篇》中亚西比德的顿悟体验

Zacharoula A. Petraki
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引用次数: 0

摘要

摘要:在柏拉图的《会饮篇》中,亚西比德运用艺术的意象,用“神的雕像”来描述苏格拉底的美德。在本文中,我认为柏拉图让亚西比德用神圣的救赎和情欲顿悟的诗学来描述他在波提达亚、狄里昂和阿伽通的房子里看到苏格拉底时的(准)顿悟体验。首先,我简要介绍了关于这一意象的学术观点和我自己的贡献。然后,我将讨论亚西比德与苏格拉底的酒神体验,并考察柏拉图将传统的顿悟语言转化为自己目的的段落。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Alcibiades's Epiphanic Experience in Plato's Symposium
Abstract:In Plato's Symposium, Alcibiades resorts to the imagery of art and describes the Socratic virtues in terms of "divine statues." In this paper, I argue that Plato makes Alcibiades use the poetics of divine salvific and erotic epiphany in order to describe his (quasi) epiphanic experience at the sight of Socrates at Potidaia, Delion, and Agathon's house. First, I offer a brief account of scholarly views on this imagery and of my own contribution. Then, I discuss Alcibiades's Bacchic experience with Socrates qua Silenus, and I examine those passages in which Plato turns traditional epiphanic language to his own ends.
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