Muhammad Naufal Fadhil, Aji Sofiana Putri, Julie Nichols
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引用次数: 0
摘要
根据Nuruddin Ar Raniry的《Bustanussalatin》手稿,1637年苏丹依斯干达他尼建造了一座私人皇家花园,名为塔曼盖拉(盖拉花园)。亚齐17世纪的花园仍然存在一些问题,因为它的大部分物品在班达亚齐已经找不到了。古农庵、坎当、Pintô Khôp等靠近苏丹王宫的三座建筑被认为是花园的遗迹。本研究是对模拟园林进行直接观察与符号学研究相结合的建筑研究。模拟是基于Bustanussalatin手稿。我们发现,几个符号的存在承载着与过去伊斯兰和前伊斯兰文化影响有关的意义。Meru,生命之树,莲花和banjaran sari可能来源于前伊斯兰文化,而河流,清真寺和花卉符号则表明伊斯兰教的影响。本文强调《塔曼迦拉》受到伊斯兰和前伊斯兰文化的影响,反映了亚齐文化中不同背景的融合。
Pre-Islamic and Islamic Influences of Taman Ghairah Banda Aceh
According to the manuscript of Bustanussalatin by Nuruddin Ar Raniry, in 1637 Sultan Iskandar Thani built a private royal garden called Taman Ghairah (Ghairah Garden). The seventeenth-century garden of Aceh still holds some questions because most of its objects are no longer found in Banda Aceh. Three buildings such as: Gunongan, Kandang and Pintô Khôp which are close to the former Sultan’s palace, are believed to be the remains of the garden. This present study is architectural research that incorporates direct observation and semiotic study on the garden simulation. The simulation is based on the Bustanussalatin manuscript. It is found that the existence of several symbols carry out meanings which relate to the influences of Islamic and pre-Islamic cultures in the past. Meru, tree of life, lotus, and banjaran sari may have derived from pre-Islamic culture, while the river, mosque and floral symbols indicate the presence of Islamic influence. This article underlines that Taman Ghairah has Islamic and Pre-Islamic cultural influences, reflecting the convergence of diverse backgrounds in Acehnese culture.