{"title":"的处女地","authors":"David Serlin","doi":"10.1215/01636545-9397101","DOIUrl":null,"url":null,"abstract":"\n In this wide-ranging conversation, David Serlin (University of California, San Diego) and Roland Betancourt (University of California, Irvine) discuss questions of sexual consent and sexual violence in the visual culture of early Christian art as inspired by Betancourt’s recent book, Byzantine Intersectionality: Sexuality, Gender, and Race in the Middle Ages (2020). Drawing on rare manuscripts and other objects of worship from institutional archives, Betancourt analyzes and contextualizes numerous Byzantine visual texts featuring often confounding representations of sexual acts or gendered behavior that later Christian interpreters would treat as conventional or settled. For Betancourt, early Christian authors and artists were far more open to troubling and experimenting with depictions of sexual and gendered narratives than many medievalists (and, importantly, non-medievalists) have been trained to see.","PeriodicalId":51725,"journal":{"name":"RADICAL HISTORY REVIEW","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Virgin Territories\",\"authors\":\"David Serlin\",\"doi\":\"10.1215/01636545-9397101\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n In this wide-ranging conversation, David Serlin (University of California, San Diego) and Roland Betancourt (University of California, Irvine) discuss questions of sexual consent and sexual violence in the visual culture of early Christian art as inspired by Betancourt’s recent book, Byzantine Intersectionality: Sexuality, Gender, and Race in the Middle Ages (2020). Drawing on rare manuscripts and other objects of worship from institutional archives, Betancourt analyzes and contextualizes numerous Byzantine visual texts featuring often confounding representations of sexual acts or gendered behavior that later Christian interpreters would treat as conventional or settled. For Betancourt, early Christian authors and artists were far more open to troubling and experimenting with depictions of sexual and gendered narratives than many medievalists (and, importantly, non-medievalists) have been trained to see.\",\"PeriodicalId\":51725,\"journal\":{\"name\":\"RADICAL HISTORY REVIEW\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"RADICAL HISTORY REVIEW\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/01636545-9397101\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"RADICAL HISTORY REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/01636545-9397101","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
In this wide-ranging conversation, David Serlin (University of California, San Diego) and Roland Betancourt (University of California, Irvine) discuss questions of sexual consent and sexual violence in the visual culture of early Christian art as inspired by Betancourt’s recent book, Byzantine Intersectionality: Sexuality, Gender, and Race in the Middle Ages (2020). Drawing on rare manuscripts and other objects of worship from institutional archives, Betancourt analyzes and contextualizes numerous Byzantine visual texts featuring often confounding representations of sexual acts or gendered behavior that later Christian interpreters would treat as conventional or settled. For Betancourt, early Christian authors and artists were far more open to troubling and experimenting with depictions of sexual and gendered narratives than many medievalists (and, importantly, non-medievalists) have been trained to see.
期刊介绍:
Individual subscribers and institutions with electronic access can view issues of Radical History Review online. If you have not signed up, review the first-time access instructions. For more than a quarter of a century, Radical History Review has stood at the point where rigorous historical scholarship and active political engagement converge. The journal is edited by a collective of historians—men and women with diverse backgrounds, research interests, and professional perspectives. Articles in RHR address issues of gender, race, sexuality, imperialism, and class, stretching the boundaries of historical analysis to explore Western and non-Western histories.