{"title":"《罗达贾律师》(marias / Chic, 1973):一部改编小说，一部戏剧改编","authors":"Victoria Aranda Arribas","doi":"10.3989/anacervantinos.2020.008","DOIUrl":null,"url":null,"abstract":"This article aims at analyzing The Rodaja Licenciate (1973), a television adaptation based on The Vidriera Licenciate (Miguel de Cervantes, Exemplary Novels, 1613). Within the context of the successful dramatic programs aired on Radio Televisión Española from the ‘60s to the ‘90s, I will examine the transformations executed on this medium length-film, directed by Antonio Chic whose script was written by Miguel Marías: 1) the hero’s (Tomás Rodaja) reinterpretation; and 2) the fusion between this novel and dramatic techniques. * Este artículo se inscribe en el marco del Proyecto de Excelencia I+D+i del MINECO La novela corta del siglo XVII. Estudio y edición (y III) (FFI2017-85417-P). ** Universidad de Córdoba. imberetumbra@gmail.com / ORCID iD: https://orcid.org/00000003-2913-3918.","PeriodicalId":42774,"journal":{"name":"ANALES CERVANTINOS","volume":"52 1","pages":"197-225"},"PeriodicalIF":0.1000,"publicationDate":"2020-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"El licenciado Rodaja (Marías / Chic, 1973): una novela adaptada, una adaptación teatralizada\",\"authors\":\"Victoria Aranda Arribas\",\"doi\":\"10.3989/anacervantinos.2020.008\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article aims at analyzing The Rodaja Licenciate (1973), a television adaptation based on The Vidriera Licenciate (Miguel de Cervantes, Exemplary Novels, 1613). Within the context of the successful dramatic programs aired on Radio Televisión Española from the ‘60s to the ‘90s, I will examine the transformations executed on this medium length-film, directed by Antonio Chic whose script was written by Miguel Marías: 1) the hero’s (Tomás Rodaja) reinterpretation; and 2) the fusion between this novel and dramatic techniques. * Este artículo se inscribe en el marco del Proyecto de Excelencia I+D+i del MINECO La novela corta del siglo XVII. Estudio y edición (y III) (FFI2017-85417-P). ** Universidad de Córdoba. imberetumbra@gmail.com / ORCID iD: https://orcid.org/00000003-2913-3918.\",\"PeriodicalId\":42774,\"journal\":{\"name\":\"ANALES CERVANTINOS\",\"volume\":\"52 1\",\"pages\":\"197-225\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-12-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ANALES CERVANTINOS\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3989/anacervantinos.2020.008\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, ROMANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ANALES CERVANTINOS","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3989/anacervantinos.2020.008","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
引用次数: 0
摘要
本文旨在分析《罗达贾执照》（1973），这是一部根据《维德里亚执照》改编的电视剧（Miguel de Cervantes，《典型小说》，1613）。在60年代至90年代西班牙电视台成功播出的戏剧节目的背景下，我将研究这部由安东尼奥·奇克执导的中长电影的转变，他的剧本由米格尔·马里亚斯撰写：1）英雄（托马斯·罗达贾）的重新诠释；以及2）这部小说与戏剧手法的融合Este artículo在MINECO的卓越项目I+D+I的新作品《十七世纪》中写道。研究与医学（y III）（FFI2017-8517-P）。**科尔多瓦大学。imberetumbra@gmail.com/OCID iD：https://orcid.org/00000003-2913-3918.
El licenciado Rodaja (Marías / Chic, 1973): una novela adaptada, una adaptación teatralizada
This article aims at analyzing The Rodaja Licenciate (1973), a television adaptation based on The Vidriera Licenciate (Miguel de Cervantes, Exemplary Novels, 1613). Within the context of the successful dramatic programs aired on Radio Televisión Española from the ‘60s to the ‘90s, I will examine the transformations executed on this medium length-film, directed by Antonio Chic whose script was written by Miguel Marías: 1) the hero’s (Tomás Rodaja) reinterpretation; and 2) the fusion between this novel and dramatic techniques. * Este artículo se inscribe en el marco del Proyecto de Excelencia I+D+i del MINECO La novela corta del siglo XVII. Estudio y edición (y III) (FFI2017-85417-P). ** Universidad de Córdoba. imberetumbra@gmail.com / ORCID iD: https://orcid.org/00000003-2913-3918.
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