{"title":"Serenata contatina in Ignaz, Seyfried","authors":"David Gasche","doi":"10.1556/6.2021.00024","DOIUrl":null,"url":null,"abstract":"\n The Serenata con una Cantatina by Ignaz von Seyfried is a particular work for choir, soloists and Harmoniemusik, which was performed in 1805 for a courtly occasion. The music is above all entertaining, but certain objectives, probably imposed by Empress Maria Theresia, are in the background. The objective is to understand how Seyfried combines a festive but cultivated music with social and political purposes. The origins of the score and the creation process are first considered. The issues at stake are exemplified by an analysis of the different movements, particularly the Quolibet. This study aims to reveal the composer's engagement, the performance practice as well as the reception of this work a time when the Harmoniemusik was very successful in Vienna.","PeriodicalId":34943,"journal":{"name":"Studia Musicologica","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Die Serenata con una Cantatina von Ignaz von Seyfried (1805)\",\"authors\":\"David Gasche\",\"doi\":\"10.1556/6.2021.00024\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n The Serenata con una Cantatina by Ignaz von Seyfried is a particular work for choir, soloists and Harmoniemusik, which was performed in 1805 for a courtly occasion. The music is above all entertaining, but certain objectives, probably imposed by Empress Maria Theresia, are in the background. The objective is to understand how Seyfried combines a festive but cultivated music with social and political purposes. The origins of the score and the creation process are first considered. The issues at stake are exemplified by an analysis of the different movements, particularly the Quolibet. This study aims to reveal the composer's engagement, the performance practice as well as the reception of this work a time when the Harmoniemusik was very successful in Vienna.\",\"PeriodicalId\":34943,\"journal\":{\"name\":\"Studia Musicologica\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-06-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studia Musicologica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1556/6.2021.00024\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studia Musicologica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1556/6.2021.00024","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
伊格纳兹·冯·塞弗里德(Ignaz von Seyfried)的《小夜曲》(Serenata con una Cantatina)是合唱团、独奏家和Harmoniemusik的特别作品,于1805年在一个宫廷场合演出。音乐最重要的是娱乐,但某些目标,可能是玛丽亚·特蕾西亚皇后强加的,是在背景中。目的是了解塞弗里德是如何将喜庆但有教养的音乐与社会和政治目的结合起来的。首先考虑乐谱的起源和创作过程。通过对不同运动的分析,特别是对Quolibet的分析,可以举例说明利害攸关的问题。本研究旨在揭示作曲家的参与,演奏实践以及这部作品在维也纳非常成功的时候的接受情况。
Die Serenata con una Cantatina von Ignaz von Seyfried (1805)
The Serenata con una Cantatina by Ignaz von Seyfried is a particular work for choir, soloists and Harmoniemusik, which was performed in 1805 for a courtly occasion. The music is above all entertaining, but certain objectives, probably imposed by Empress Maria Theresia, are in the background. The objective is to understand how Seyfried combines a festive but cultivated music with social and political purposes. The origins of the score and the creation process are first considered. The issues at stake are exemplified by an analysis of the different movements, particularly the Quolibet. This study aims to reveal the composer's engagement, the performance practice as well as the reception of this work a time when the Harmoniemusik was very successful in Vienna.