João Guimarães Rosa对自然的热爱:非人类是“不道德的”

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Ashley Brock
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引用次数: 0

摘要

在本文中,我找到了若昂·吉马良斯·罗莎在20世纪50年代和60年代的作品中隐含的环保主义。这种敏感性很容易被忽视,部分原因是它将关于以发展和进步的名义造成的损害的政治辩论转移到了情感伦理层面;然而,它是以一种抵制多愁善感或将错位的天真投射到非人类世界的方式来做到这一点的。关注人类和非人类之间的情感关系,我读了《As margens da alegria》和《Os cimos》,表达了一种已经潜伏在Grande sertão中的生态批判话语:veredas。吉马良斯·罗莎(Guimarães Rosa)将自然世界重新描述为一个既有深不可测的另类又有温柔关系的地方,他展示了大自然对人类的情感控制,以及将自己从中分离出来的代价——这一代价包括削弱人类的愉悦、好奇和性爱能力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Loving Nature in João Guimarães Rosa: The Non-human as 'amável'
In the present article, I locate an implicit environmentalism João Guimarães Rosa’s writing from the 1950s and 1960s. This sensibility is easy to miss, in part because it transposes political debates on damage inflicted in the name of development and progress onto the affective-ethical plane; however, it does so in a way that resists sentimentality or projecting a misplaced innocence onto the non-human world. Focusing on emotional relationships between humans and non-humans, I read “As margens da alegria” and “Os cimos” as expressing an eco-critical discourse that was already latent in Grande sertão: veredas. Recasting the natural world as a site of both unfathomable otherness and relations of tenderness, Guimarães Rosa presents the emotional hold that nature has on humans and the cost of cleaving oneself from it—a cost that includes diminishing the human capacity for delight, wonder, and eros.
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来源期刊
Journal of Lusophone Studies
Journal of Lusophone Studies Arts and Humanities-Literature and Literary Theory
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