绘画虚空:从山水画和透视看新儒家时代和文艺复兴时期法国地图学的工具化(15-16世纪)

IF 0.2 Q2 HISTORY
Jérémie Eyssette
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引用次数: 0

摘要

地图的价值来源于制图师提供或减去的信息之间的平衡。在非自愿的情况下,数据的缺失归因于疏忽或无知。如果是故意的,它往往意味着欺骗。先前的研究赞扬了大量的条目,指出易和的科学早熟(李薈, 1354-1409)P’altodo(八道圖, 八省地图,1400)和Honil kangni yŏktae kukto chi to(混一 疆理歷代國都之圖, 历史国家和首都的综合土地和地区地图,1402)或Kangnido,以及在Oronce Fine的(1494-1555)Recens et integra orbis descriptio(1536)和Nova totius
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Painting the Void: The Instrumentalization of Cartography in Neo-Confucian Chosŏn and Renaissance France through Landscape Painting and Perspective (15th-16th centuries)
Maps derive value from the balance between the information their cartographers supply or subtract. When involuntary, absence of data is attributed to negligence or ignorance. When intentional, it tends to connote deceit. Previous studies praised the plethora of entries which points to scientific precocity in Yi Hoe’s (李薈, 1354-1409) P’altodo (八道圖, Map of the Eight Provinces, 1400) and Honil kangni yŏktae kukto chi to (混一 疆理歷代國都之圖, Map of Integrated Lands and Regions of Historical Countries and Capitals, 1402) or Kangnido, and in Oronce Fine’s (1494-1555) Recens et integra orbis descriptio (1536) and Nova totius
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
18
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