运动中的突尼斯人：在Leyla Bouzid的《当我睁开眼睛》中表演和讲述（非）政治

IF 0.2 0 FILM, RADIO, TELEVISION

Journal of African Cinemas Pub Date : 2019-10-01 DOI:10.1386/jac_00012_1

A. Strohmaier

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引用次数: 0

摘要

蕾拉·布齐德的电影《当我睁开眼睛》(À peine j'ouvre les yeux, As I Open My Eyes, 2015)将表演和叙事浓缩在一起，创造了一个由统治精英规定的规范性话语和人类能动性主观性之间交替的空间。马格里布最近的事态发展表明，以前属于私人领域、文化或社会领域的问题正在被政治化，从而成为公众争论的焦点。继后殖民、文化研究和空间理论概念之后，本文的认识论兴趣与一种灵活的、媒体理论的政治概念联系在一起，以便在批判性分析中讨论社会/私人领域的具体形式和知识生产的话语，并以电影本身的例子为基础，提出有关个人/集体机构的问题。

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Tunisians in motion: Performing and narrating the (non-)political in Leyla Bouzid's As I Open My Eyes

Abstract The film À peine j'ouvre les yeux (As I Open My Eyes, 2015) by Leyla Bouzid condenses performance and narration to create a space alternating between normative discourses prescribed by ruling elites on the one hand and the subjectivity of human agency on the other. Recent developments in the Maghreb have noted that issues previously attributed to the private realm, the cultural or social sphere are being politicized and thus become the focus of public controversy. Following postcolonial, cultural studies and space-theoretical concepts, the epistemological interest of this article is linked to a flexible, media-theoretical notion of the political, so as to discuss specific forms of social/private spheres and discourses of knowledge production in a critical analysis with questions about individual/collective agencies based on examples in the film itself.

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来源期刊

Journal of African Cinemas FILM, RADIO, TELEVISION-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： The Journal of African Cinemas will explore the interactions of visual and verbal narratives in African film. It recognizes the shifting paradigms that have defined and continue to define African cinemas. Identity and perception are interrogated in relation to their positions within diverse African film languages. The editors are seeking papers that expound on the identity or identities of Africa and its peoples represented in film. The aim is to create a forum for debate that will promote inter-disciplinarity between cinema and other visual and rhetorical forms of representation.