伊斯坦布尔电影话语中的希腊身份

IF 1.8 Q2 COMMUNICATION
Anastasia G. Stamou, Kornilia P. Petraki
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引用次数: 0

摘要

摘要考虑到流行文化在形成我们对国家/民族身份和历史记忆的认知中的突出作用,在本研究中,我们探讨了希腊大片《辣妹的触摸》/Politiki Kouzina中希腊与土耳其的关系以及所涉及的民族身份的描述方式,它涉及20世纪50年代和60年代伊斯坦布尔的希腊社区。为了研究电影文本中的民族身份,采用了一个社会建构主义的框架来分析话语中的身份。分析表明,作为该民族的一部分,这位电影制作人采用了伊斯坦布尔希腊式的凝视。通过这种方式,强调与伊斯坦布尔希腊人的相似之处以及与希腊人和土耳其人的区别可以被视为一种意识形态策略,通过这种策略可以构成一个种族“主体”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Istanbul Greek identities in film discourse
ABSTRACT Considering the prominent role of popular culture in forming our perceptions about national/ ethnic identities and historical memory, in the present study, we explore the way in which Greek-Turkish relationships as well as the ethnic identities implicated are depicted in the Greek blockbuster film Α Touch of Spice/ Politiki Kouzina, which deals with the Greek community of Istanbul in the 1950s and the 1960s. For the study of ethnic identities in the cinematic text, a social constructionist framework for the analysis of identities in discourse is adopted. The analysis suggests that the film maker, being part of the ethnic group, adopts an ingroup Istanbul Greek gaze. In this way, the emphasis placed on the similarities with the Istanbul Greek self and on the distinctions from the Greek and the Turkish other could be seen as an ideological strategy, through which an ethnic “body” is constituted.
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来源期刊
Popular Communication
Popular Communication COMMUNICATION-
CiteScore
3.90
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15
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