{"title":"“精致、娇小和其他我永远不会成为的东西”:跨朋克歌曲和情歌","authors":"G. Schott","doi":"10.1080/13825577.2020.1730048","DOIUrl":null,"url":null,"abstract":"ABSTRACT Punk’s dogged durability continues to be driven by a communal ethos that once embodied inclusivity, resistance, challenge, and transformation. The precipitous absorption and integration of punk into the mainstream ran the risk of undermining the authenticity of its rebellion, DIY principles, and sub-cultural inimitability. Yet, in emerging from the underground punk has continued to provide a counter-normative framework and aesthetic. The ethos that underpinned first-wave punk is evident today in punk’s ongoing engagement with queer politics and persistent illustrations of gender fluidity. This article examines an articulation of “transgender as punk” focusing on the example of Laura Jane Grace, lead singer of U.S. anarcho-punk band Against Me!, who came out as transgender five albums into her public life as an established punk musician. Punk has time and again served as a site for making visible and verbalising discordant experiences, which Grace has accessed to document her complex and troubled personal intercessions, transgender realities, and their uncertain future.","PeriodicalId":43819,"journal":{"name":"European Journal of English Studies","volume":"24 1","pages":"37 - 51"},"PeriodicalIF":0.7000,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13825577.2020.1730048","citationCount":"0","resultStr":"{\"title\":\"“Delicate, petite & other things I’ll never be”: trans-punk anthems and love songs\",\"authors\":\"G. Schott\",\"doi\":\"10.1080/13825577.2020.1730048\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Punk’s dogged durability continues to be driven by a communal ethos that once embodied inclusivity, resistance, challenge, and transformation. The precipitous absorption and integration of punk into the mainstream ran the risk of undermining the authenticity of its rebellion, DIY principles, and sub-cultural inimitability. Yet, in emerging from the underground punk has continued to provide a counter-normative framework and aesthetic. The ethos that underpinned first-wave punk is evident today in punk’s ongoing engagement with queer politics and persistent illustrations of gender fluidity. This article examines an articulation of “transgender as punk” focusing on the example of Laura Jane Grace, lead singer of U.S. anarcho-punk band Against Me!, who came out as transgender five albums into her public life as an established punk musician. Punk has time and again served as a site for making visible and verbalising discordant experiences, which Grace has accessed to document her complex and troubled personal intercessions, transgender realities, and their uncertain future.\",\"PeriodicalId\":43819,\"journal\":{\"name\":\"European Journal of English Studies\",\"volume\":\"24 1\",\"pages\":\"37 - 51\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2020-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/13825577.2020.1730048\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"European Journal of English Studies\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1080/13825577.2020.1730048\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"European Journal of English Studies","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/13825577.2020.1730048","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
引用次数: 0
摘要
朋克顽强的持久性继续受到曾经体现包容性、抵抗力、挑战性和变革性的社区精神的驱动。朋克突然被吸收并融入主流,有可能破坏其反叛、DIY原则和亚文化不适应性的真实性。然而,在地下朋克的崛起中,它继续提供了一种反规范的框架和美学。支撑第一波朋克的风气在今天朋克对酷儿政治的持续参与和对性别流动性的持续阐释中表现得很明显。本文以美国无政府朋克乐队Against Me!的主唱Laura Jane Grace为例,探讨了“跨性别朋克”的表述!,作为一名知名朋克音乐家,她以变性人的身份在公众生活中推出了五张专辑。朋克一次又一次地成为一个网站,让人们看到并说出不和谐的经历,格蕾丝利用这些经历来记录她复杂而麻烦的个人调解、跨性别现实以及他们不确定的未来。
“Delicate, petite & other things I’ll never be”: trans-punk anthems and love songs
ABSTRACT Punk’s dogged durability continues to be driven by a communal ethos that once embodied inclusivity, resistance, challenge, and transformation. The precipitous absorption and integration of punk into the mainstream ran the risk of undermining the authenticity of its rebellion, DIY principles, and sub-cultural inimitability. Yet, in emerging from the underground punk has continued to provide a counter-normative framework and aesthetic. The ethos that underpinned first-wave punk is evident today in punk’s ongoing engagement with queer politics and persistent illustrations of gender fluidity. This article examines an articulation of “transgender as punk” focusing on the example of Laura Jane Grace, lead singer of U.S. anarcho-punk band Against Me!, who came out as transgender five albums into her public life as an established punk musician. Punk has time and again served as a site for making visible and verbalising discordant experiences, which Grace has accessed to document her complex and troubled personal intercessions, transgender realities, and their uncertain future.