乔纳森·斯威夫特和现代暴力的本质

IF 0.1 3区 文学 0 LITERATURE
Ron Ben-Tovim
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引用次数: 0

摘要

摘要:乔纳森·斯威夫特的《浴缸的故事》和《格列佛游记》被解读为参与了一场更广泛的辩论,即古今之争,以及对新科学兴起和“自然之书”研究的批评。这篇文章认为,斯威夫特认为现代人对自然的关注象征着渴望回到混乱和暴力的前文化状态。因此,这些作品远不是试图进入自然作为一种到达经验真理的方式,而是暗示了斯威夫特的概念,即现代回归自然代表了人类文化的解体。此外,本文还通过一战诗人大卫·琼斯的作品和他战后的杰作《In Parenthesis》讨论了斯威夫特的现代概念本质上是反文化的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Jonathan Swift and the Nature of Modern Violence
ABSTRACT:Jonathan Swift's A Tale of a Tub and Gulliver's Travels have been read as participating in a wider debate, the Quarrel of the Ancients and Moderns, and as critiques of the rise of the New Sciences and the study of the "Book of Nature." The essay argues that Swift viewed the Modern preoccupation with nature as emblematic of the desire to return to a pre-cultural state of chaos and violence. Far from being an attempt to step into nature as a way of arriving at empirical truth, thus, these works hint at Swift's notion that the Modern return to nature represented dissolution of human culture. In addition, the essay discusses the afterlife of Swift's notions of the Modern as inherently anti-cultural through the work of Great War poet David Jones and his postwar masterpiece In Parenthesis.
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来源期刊
COLLEGE LITERATURE
COLLEGE LITERATURE LITERATURE-
CiteScore
0.40
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