”“你能看见我吗?我所有人?”在刚果表演儿童兵我的身体

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Marda Messay
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引用次数: 0

摘要

这篇文章考察了2011年在法国巴黎举行的La Villette艺术节上由前刚果童兵Serge Amisi和Jean Rene Yaounde Mulamba以及编舞Djodjo Kazadi表演的自传式表演《刚果我的身体》。在这部作品中,三位表演者再现了阿米西和穆拉姆巴在1997年至2001年期间在约瑟夫·卡比拉军队中作为儿童兵的经历。在建立了儿童兵的刻板印象和狭隘的西方表现作为起点之后,本文确定了表演者如何利用表演空间来弥合儿童兵的感知他者性,并将观众定位为目击者。通过使用他们自己的身体和木偶,表演者不仅重现了儿童兵对暴力及其创伤和破坏性影响的灌输,而且模糊了受害者和侵略者之间的界限。本文认为,通过《刚果我的身体》,表演者试图让观众意识到自己对儿童兵的看法,并鼓励观众在表演之外反思儿童兵的命运。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Can you see me? All of me?’ Performing the child soldier in Congo My Body
This article examines Congo My Body, an autobiographical performance performed in 2011 at the festival Hautes Tensions de La Villette in Paris, France, by former Congolese child soldiers Serge Amisi and Jean Rene Yaounde Mulamba, and choreographer Djodjo Kazadi. In this work, the three performers recreate Amisi and Mulamba’s experiences as child soldiers in Joseph Kabila’s army from 1997 to 2001. After establishing the stereotypical and oftentimes narrow western representations of child soldiers as a starting point, this article identifies how the performers use the performance space to bridge the perceived otherness of the child soldier and position the audience as witnesses. Through the use of their own bodies and puppets, the performers not only recreate the child soldiers’ indoctrination into violence and its traumatic and devastating effects but also blur the line between victim and aggressor. This article argues that with Congo my Body, the performers attempt to make the spectators aware of their own perception of child soldiers and encourage the audience to reflect on the child soldiers’ fate beyond the performance.
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来源期刊
INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES
INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
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