Grey or Nothing: Blackness and the Perils of Ontology Without Ethics

ABSTRACT This article examines the enduring relevance of Victor Anderson’s Beyond Ontological Blackness: An Essay in Religious and Cultural Criticism. Anderson rightly senses a close connection between the practice of African American cultural criticism and the ethical sensitivity required to do it well. He also recognizes the historical limits of ontological inquiry. I argue that these metaphilosophical assumptions afford more generative encounters with Black political and cultural life, especially its discursive ambiguities and practical incongruities. By engaging the writings of two contemporary critics, Tamura Lomax and Calvin Warren, I show the benefits of thinking alongside Anderson’s important text and the dangers of not doing so. Scholars of religion, African American studies, and cultural studies ignore Anderson’s work and the discourses it enjoins at their own peril.