回归工艺:泰勒·斯威夫特，怀旧和Covid-19

IF 1.3 3区艺术学 0 MUSIC

POPULAR MUSIC AND SOCIETY Pub Date : 2022-12-17 DOI:10.1080/03007766.2022.2156761

John McGrath

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引用次数: 2

摘要

摘要我所说的“工艺的回归”是一种普遍现象的升华——当代西方社会的怀旧、民间审美，部分是为了应对新冠肺炎疫情，也为了应对新自由主义和气候变化。它是对动荡的反应，提供了想象中的过去的舒适，一种有形的触觉，以及与“旧方式”、自然和野生的重新连接。在这篇论文中，我通过对其商业上最成功的封锁成果——泰勒·斯威夫特的民间传说（2020）的案例研究，探讨了回归手工艺作为一种社会基础的探索。

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The Return to Craft: Taylor Swift, Nostalgia, and Covid-19

ABSTRACT What I term “the return to craft” is a distillation of a pervasive phenomenon – the nostalgic, folk esthetic of contemporary Western society that has arisen partly in response to the Covid-19 pandemic but also to neoliberalism and climate change. It arises as a reaction to turmoil, offering the comfort of an imagined past, a tangible tactility, and a reconnection with the “old ways,” with nature, and the wild. In this paper, I explore the return to craft as a societal search for foundations via a case-study of its most commercially successful lockdown output, Taylor Swift’s folklore (2020).

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来源期刊

POPULAR MUSIC AND SOCIETY MUSIC-

CiteScore

1.10

自引率

0.00%

发文量

期刊介绍： Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.