Laia Jufresa的《悲伤的味道:鲜味中的世俗决斗和社区转变》(2015)

IF 0.3 3区 文学 N/A LITERATURE
María Celina Bortolotto, May Summer Farnsworth
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引用次数: 0

摘要

墨西哥作家拉亚·朱弗雷萨的《鲜味》(2015)通过几个相互关联的故事探讨了失落、哀悼和身份的主题。墨西哥城一座公寓大楼的居民住在不同的公寓里,经历着与失去亲人有关的个人创伤。在他们的日常交往中,他们认识到彼此的痛苦,同时处理自己的悲伤,并探索他们的身份和社区的创造性转变。Jufresa以“普通的悲伤”为例,展示了与大规模暴力和毒品恐怖主义的故事相对应的亲密和个人的哀悼过程。Jufresa还探讨了墨西哥更传统的哀悼方式的文化维度。《鲜味》中的人物相互认识,相互陪伴,共同经历脆弱,重现了芭芭拉·弗雷德里克森、朱迪思·巴特勒和爱奥娜·希思所认为的在悲伤中相互支持的角色,以及积极情绪在个人和社区转变中的关键作用。通过这些来自心理学、心理治疗和医学的观点,我们的文章将鲜味解读为一种文学表现,在创造性情感交流中,个人和社区之间的复杂关系,使我们能够在日常哀悼的湍流中航行。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Los sabores de la pena: duelos mundanos y transformación comunitaria en Umami (2015) de Laia Jufresa
Abstract Umami (2015) by the Mexican author Laia Jufresa deals with the themes of loss, mourning and identity through several interrelated stories. Residents of an apartment complex in Mexico City live in separate flats and experience individual traumas linked to the loss of loved ones. In their daily interactions, they recognize each other’s pain while processing their own grief and exploring creative transformations in their identities and communities. Jufresa shows the intimate and personal process of mourning as a counterpart to stories of massive violence and narco-terrorism by presenting detailed examples of “ordinary grief.” Jufresa also explores the cultural dimensions of more traditional types of mourning in Mexico. The characters in Umami recognize each other, keep each other company, and experience collective vulnerability, recreating what Barbara Fredrickson, Judith Butler, and Iona Heath attribute to the roles of mutual support in grief and the key role of positive emotion in individual and community transformation. Through these perspectives from psychology, psychotherapy, and medicine, our essay reads Umami as a literary representation of the complex relationship between the personal and the communal in the creative-affective exchanges that allow us to navigate the turbulent waters of everyday mourning.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
12
期刊介绍: Symposium is a quarterly journal of criticism in modern literatures originating in languages other than English. Recent issues include peer-reviewed essays on works by Jorge Luis Borges, Bertolt Brecht, Mikhail Bulgakov, Miguel de Cervantes, Denis Diderot, Fyodor Dostoevsky, Paloma Díaz-Mas, Assia Djebar, Umberto Eco, Franz Kafka, Francis Ponge, and Leonardo Sciascia. Scholars of literature will find research on authors, themes, periods, genres, works, and theory, often through comparative studies. Although primarily in English, some issues include discussions of works in the original language.
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