{"title":"《无笑之事:阿明·拉谢特与摄影曝光》","authors":"T. Olesen","doi":"10.1177/19401612221102027","DOIUrl":null,"url":null,"abstract":"On July 17, 2021, the CDU's chancellor candidate Armin Laschet was photographed laughing during a speech by the German Federal President in the flood-stricken city of Erftstadt. The photographic images caused an uproar and contributed to the CDU's defeat in the September 23 election. The paper analyzes why these images resonated with such damaging effects. Theoretically, it sets the analysis on the background of the moralization and personalization of politics and argues that photography, with its ability to capture behavior at a distance, plays a prominent role in these processes. While this condition explains why an image of a laughing politician can generate such indignation in the first place, the paper discusses how this effect was amplified in the case of Laschet by a range of contextual features: (a) the timing of the images in the middle of an election period where politicians come under intense scrutiny; (b) their appearance in a crisis situation (the German flooding disaster) where politicians are surrounded by other role expectations than in routine periods; (3) Laschet's new, insecure position as leader of the CDU; (d) his history of scandals and poor political judgment; and (e) the frivolous and boisterous manner of his laughter. At a general theoretical level, the paper's insights caution us to avoid prima facie conclusions about the autonomous power of photographs. Instead, they encourage analytical sensitivity to the importance of timing and context as explanatory elements in our understanding of photographic exposés.","PeriodicalId":47605,"journal":{"name":"International Journal of Press-Politics","volume":" ","pages":""},"PeriodicalIF":4.1000,"publicationDate":"2022-05-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"No Laughing Matter: Armin Laschet and the Photographic Exposé\",\"authors\":\"T. Olesen\",\"doi\":\"10.1177/19401612221102027\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"On July 17, 2021, the CDU's chancellor candidate Armin Laschet was photographed laughing during a speech by the German Federal President in the flood-stricken city of Erftstadt. The photographic images caused an uproar and contributed to the CDU's defeat in the September 23 election. The paper analyzes why these images resonated with such damaging effects. Theoretically, it sets the analysis on the background of the moralization and personalization of politics and argues that photography, with its ability to capture behavior at a distance, plays a prominent role in these processes. While this condition explains why an image of a laughing politician can generate such indignation in the first place, the paper discusses how this effect was amplified in the case of Laschet by a range of contextual features: (a) the timing of the images in the middle of an election period where politicians come under intense scrutiny; (b) their appearance in a crisis situation (the German flooding disaster) where politicians are surrounded by other role expectations than in routine periods; (3) Laschet's new, insecure position as leader of the CDU; (d) his history of scandals and poor political judgment; and (e) the frivolous and boisterous manner of his laughter. At a general theoretical level, the paper's insights caution us to avoid prima facie conclusions about the autonomous power of photographs. Instead, they encourage analytical sensitivity to the importance of timing and context as explanatory elements in our understanding of photographic exposés.\",\"PeriodicalId\":47605,\"journal\":{\"name\":\"International Journal of Press-Politics\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":4.1000,\"publicationDate\":\"2022-05-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Press-Politics\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1177/19401612221102027\",\"RegionNum\":1,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Press-Politics","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1177/19401612221102027","RegionNum":1,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"COMMUNICATION","Score":null,"Total":0}
No Laughing Matter: Armin Laschet and the Photographic Exposé
On July 17, 2021, the CDU's chancellor candidate Armin Laschet was photographed laughing during a speech by the German Federal President in the flood-stricken city of Erftstadt. The photographic images caused an uproar and contributed to the CDU's defeat in the September 23 election. The paper analyzes why these images resonated with such damaging effects. Theoretically, it sets the analysis on the background of the moralization and personalization of politics and argues that photography, with its ability to capture behavior at a distance, plays a prominent role in these processes. While this condition explains why an image of a laughing politician can generate such indignation in the first place, the paper discusses how this effect was amplified in the case of Laschet by a range of contextual features: (a) the timing of the images in the middle of an election period where politicians come under intense scrutiny; (b) their appearance in a crisis situation (the German flooding disaster) where politicians are surrounded by other role expectations than in routine periods; (3) Laschet's new, insecure position as leader of the CDU; (d) his history of scandals and poor political judgment; and (e) the frivolous and boisterous manner of his laughter. At a general theoretical level, the paper's insights caution us to avoid prima facie conclusions about the autonomous power of photographs. Instead, they encourage analytical sensitivity to the importance of timing and context as explanatory elements in our understanding of photographic exposés.
期刊介绍:
The International Journal of Press/Politics is an interdisciplinary journal for the analysis and discussion of the role of the press and politics in a globalized world. The Journal is interested in theoretical and empirical research on the linkages between the news media and political processes and actors. Special attention is given to the following subjects: the press and political institutions (e.g. the state, government, political parties, social movements, unions, interest groups, business), the politics of media coverage of social and cultural issues (e.g. race, language, health, environment, gender, nationhood, migration, labor), the dynamics and effects of political communication.