G.M.霍普金斯《海与云雀》的文体分析

Kahkasha Moin Quadri, Haseeb Ahmed, S. Shaikh
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引用次数: 0

摘要

这项研究考察了G.M.霍普金斯最受欢迎的诗歌《海与云雀》。杰拉德·曼利·霍普金斯是一位伟大的十四行诗作家、爱国者、艺术家、教条主义基督教的虔诚诗人和现代诗人。《海与天雀》由霍普金斯于1877年5月在靠近圣布埃诺学院的里尔镇创作,霍普金斯在那里呆了三年以完成他的神学研究。诗人创作了这首预言性的十四行诗,当时他被人类的堕落与自然固有的天真所吸引。本文考察了大量的文学手法,即隐喻、意象、象征主义、和谐、韵律、韵律和辛加内德,这些都是这首诗的主干。艺术的卓越和狭隘的效果也支持了这首宗教十四行诗。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A stylistic Analysis of G. M. Hopkins’ Sea and the Skylark
This research examines the most-read poem, “The Sea and the Skylark," by G.M. Hopkins. Gerard Manley Hopkins was a great sonneteer, a patriot, an artist, a devotional poet of dogmatic Christianity, and a modern poet. "The Sea and the Skylark” was written by Hopkins in May 1877 in the town of Rhyl, close to St. Bueno’s College, where Hopkins stayed for three years to finish his theological studies. The poet composed this predictive sonnet when he was captivated by the corruption of mankind compared with the inherent innocence of nature. This paper examines numerous literary devices, namely, metaphor, imagery, symbolism, consonance, rhyme, rhythm, and Cynghanedd, which are the backbone of this poem. Artistic excellence and the chiastic effect also support this religious sonnet.  
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