编辑

IF 0.3 2区 艺术学 0 FILM, RADIO, TELEVISION
Suzanne H. Buchan
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引用次数: 0

摘要

在我们出生的那天,我们总是比我们的出生年份大一岁。15年前,《动画:一份跨学科期刊》的创刊号送到了我们在老街Sage London办公室长期任职的编辑简·普莱斯(Jane Price)手中。它是用当时的技术在一组精心安排的文件夹中传输的,与今天的即时上传和文件传输相距甚远:所有材料都被编译在cd上,并伴随着一堆打印输出,以防数据损坏或不可读——这在当时并不罕见。这期的内容反映了我们的全球性和跨学科的目标,文章探讨了时间摄影,动画建筑,多平面电影,韩国动画,对动画作为混合形式的猜测,以及精神分析理论在日本动画中的应用。编辑团队包括Suzanne Buchan, Bob Rehak和Angela Ndalianis,他们与许多支持者和最初的编辑委员会成员一起,为期刊的发展和发行做出了重大贡献。15年过去了,该杂志的编辑目标基本保持不变:
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Editorial
We are always a year older than our birth year on the day of our birth. Fifteen years ago, the inaugural issue of animation: an interdisciplinary journal was delivered to our long-serving copyeditor, Jane Price, at the Sage London offices in Old Street. It was transported in a carefully arranged set of folders using the technology of that time, a far cry from today’s instant uploads and file transfers: all materials were compiled on CDs accompanied by a stack of printouts in case the data was corrupted or unreadable – not unusual in the day. The issue’s content reflected our global and interdisciplinary aims, with articles examining chronophotography, animated architecture, multiplane cinema, South Korean Animation, speculation on animation as a hybrid form, and the application of psychoanalytic theory to Japanese anime. The Editorial team included Suzanne Buchan, Bob Rehak and Angela Ndalianis, who, along with the many supporters and the initial Editorial Board members, contributed significantly to the journal’s development and launch. Fifteen years on, the journal’s editorial aims remain largely the same:
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来源期刊
Animation-An Interdisciplinary Journal
Animation-An Interdisciplinary Journal FILM, RADIO, TELEVISION-
CiteScore
0.70
自引率
25.00%
发文量
19
期刊介绍: Especially since the digital shift, animation is increasingly pervasive and implemented in many ways in many disciplines. Animation: An Interdisciplinary Journal provides the first cohesive, international peer-reviewed publishing platform for animation that unites contributions from a wide range of research agendas and creative practice. The journal"s scope is very comprehensive, yet its focus is clear and simple. The journal addresses all animation made using all known (and yet to be developed) techniques - from 16th century optical devices to contemporary digital media - revealing its implications on other forms of time-based media expression past, present and future.
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