亨利·内维尔的《松岛》中的黑色、生态和“无亲属性”

IF 0.3 Q2 HISTORY
J.Y.F. Chow
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引用次数: 0

摘要

摘要:本文考察了海洋作为一个既断裂又缝合亲属关系模型来描绘黑人身体和白人身体的场所。把海洋转向亨利·内维尔的《松岛》(1668),我研究了水的相互作用是如何强行将黑体与亲体分离,并将海洋定位为惩罚。浸没和溺死变成了死刑判决,将岛上种族化的罪恶联系在一起,将黑人与非黑人亲属隔离开来,体现了霍顿斯·斯皮勒斯(Hortense Spillers)所说的“无亲属性”。通过将黑人女权主义、海洋转向和18世纪的文化研究结合起来,本文考察了种族和亲属关系在内维尔的讽刺作品中是如何在环境上协调一致的。在对早期现代乌托邦的描述中,这种黑暗、生态和亲属关系的星座设想了种族化和生态化的令人担忧、断裂和混乱的混合。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mare Mortis: Blackness, ecology, and “kinlessness” in Henry Neville’s The Isle of Pines
ABSTRACT This essay examines the ocean as a site that both fractures and sutures kinship models to delineate black bodies from and against white bodies. Bringing the oceanic turn to Henry Neville’s The Isle of Pines (1668), I investigate how aqueous interaction forcibly disassociates the black body from kin and positions the ocean as meting out punishment. Immersion and drowning become death sentences that associate racialized vice on the isle and segregate black from non-black kin, embodying what Hortense Spillers has called “kinlessness.” By uniting black feminisms, the oceanic turn, and eighteenth-century cultural studies, this essay examines how race and kinship are environmentally aligned in Neville’s satire. This constellation of blackness, ecology, and kinship envisions the fraught, fractured, and messy mingling of racialized and ecological un/becoming within depictions of early modern utopia.
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来源期刊
CiteScore
0.60
自引率
25.00%
发文量
18
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