把神还给人民:尼泊尔的遗产归还

Q2 Arts and Humanities
Elke Selter
{"title":"把神还给人民:尼泊尔的遗产归还","authors":"Elke Selter","doi":"10.4467/2450050xsnr.22.014.17027","DOIUrl":null,"url":null,"abstract":"Since late 2021, a new development has been taking place in Nepal. Like many governments around the world, the Nepalese authorities are also fully invested in asking for the return of their looted art held in foreign collections. Yet the policy is no longer to keep these in the country’s main museums, but rather to bring them back to the communities of origin, where they can fully take up their role as “living Gods”. With this move – which fully prioritizes intangible heritage values over tangible – a unique process is taking place that allows for reflection on what the restitution of stolen objects could be all about. In this way the case of Nepal demonstrates that the trafficking of art and its placement in museums abroad, as well as its “typical” return to museums in the source countries, are strongly influenced by Western concepts of art and conservation, often ignoring the local values of this heritage.","PeriodicalId":36554,"journal":{"name":"Santander Art and Culture Law Review","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Returning the Gods to the People: Heritage Restitution in Nepal\",\"authors\":\"Elke Selter\",\"doi\":\"10.4467/2450050xsnr.22.014.17027\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Since late 2021, a new development has been taking place in Nepal. Like many governments around the world, the Nepalese authorities are also fully invested in asking for the return of their looted art held in foreign collections. Yet the policy is no longer to keep these in the country’s main museums, but rather to bring them back to the communities of origin, where they can fully take up their role as “living Gods”. With this move – which fully prioritizes intangible heritage values over tangible – a unique process is taking place that allows for reflection on what the restitution of stolen objects could be all about. In this way the case of Nepal demonstrates that the trafficking of art and its placement in museums abroad, as well as its “typical” return to museums in the source countries, are strongly influenced by Western concepts of art and conservation, often ignoring the local values of this heritage.\",\"PeriodicalId\":36554,\"journal\":{\"name\":\"Santander Art and Culture Law Review\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-12-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Santander Art and Culture Law Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4467/2450050xsnr.22.014.17027\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Santander Art and Culture Law Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4467/2450050xsnr.22.014.17027","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0

摘要

自2021年底以来,尼泊尔发生了新的发展。与世界上许多政府一样,尼泊尔当局也在全力要求归还外国收藏的被掠夺艺术品。然而,政策不再是把这些文物保存在国家的主要博物馆里,而是把它们带回原籍社区,在那里它们可以充分发挥“活神”的作用。这一举措——将非物质遗产的价值完全置于有形遗产之上——正在进行一个独特的过程,让人们思考归还被盗文物的全部内容。这样,尼泊尔的情况表明,艺术品的贩运及其在国外博物馆的安置,以及艺术品"典型地"返回来源国的博物馆,都受到西方艺术和保护观念的强烈影响,往往忽视了这种遗产的当地价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Returning the Gods to the People: Heritage Restitution in Nepal
Since late 2021, a new development has been taking place in Nepal. Like many governments around the world, the Nepalese authorities are also fully invested in asking for the return of their looted art held in foreign collections. Yet the policy is no longer to keep these in the country’s main museums, but rather to bring them back to the communities of origin, where they can fully take up their role as “living Gods”. With this move – which fully prioritizes intangible heritage values over tangible – a unique process is taking place that allows for reflection on what the restitution of stolen objects could be all about. In this way the case of Nepal demonstrates that the trafficking of art and its placement in museums abroad, as well as its “typical” return to museums in the source countries, are strongly influenced by Western concepts of art and conservation, often ignoring the local values of this heritage.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Santander Art and Culture Law Review
Santander Art and Culture Law Review Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.50
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信