{"title":"漫步:彼得·莱利的《阿尔斯通菲尔德》中的怀旧、神话地理学和乡村生活","authors":"Sam Kemp","doi":"10.1080/14790726.2022.2025851","DOIUrl":null,"url":null,"abstract":"ABSTRACT Landscape poet Peter Riley uses the Situationist dérive in order to negotiate the cultural landscape of the British countryside, his collection Alstonefield (2002) forming a psychogeographic investigation into spaces of nostalgia, contradiction and pastoralism in British ruralism. This essay will argue that Riley adapts the urban dérive for a contemporary rural landscape, exploring the radicalisms of pastoral tropes and exposing the spectacle in British rural perceptions. Using the framework of Phil Smith Mythogeography, a contemporary theatrical adaption of the Situationist dérive, my aim is to explore the role of walking as a negotiation of rural spectacle within the wider Radical Landscape Poetry movement.","PeriodicalId":43222,"journal":{"name":"New Writing-The International Journal for the Practice and Theory of Creative Writing","volume":"20 1","pages":"99 - 110"},"PeriodicalIF":0.4000,"publicationDate":"2022-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Walking through: nostalgia, Mythogeography and the Rural Dérive in Peter Riley’s Alstonefield\",\"authors\":\"Sam Kemp\",\"doi\":\"10.1080/14790726.2022.2025851\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Landscape poet Peter Riley uses the Situationist dérive in order to negotiate the cultural landscape of the British countryside, his collection Alstonefield (2002) forming a psychogeographic investigation into spaces of nostalgia, contradiction and pastoralism in British ruralism. This essay will argue that Riley adapts the urban dérive for a contemporary rural landscape, exploring the radicalisms of pastoral tropes and exposing the spectacle in British rural perceptions. Using the framework of Phil Smith Mythogeography, a contemporary theatrical adaption of the Situationist dérive, my aim is to explore the role of walking as a negotiation of rural spectacle within the wider Radical Landscape Poetry movement.\",\"PeriodicalId\":43222,\"journal\":{\"name\":\"New Writing-The International Journal for the Practice and Theory of Creative Writing\",\"volume\":\"20 1\",\"pages\":\"99 - 110\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-02-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"New Writing-The International Journal for the Practice and Theory of Creative Writing\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14790726.2022.2025851\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"New Writing-The International Journal for the Practice and Theory of Creative Writing","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14790726.2022.2025851","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Walking through: nostalgia, Mythogeography and the Rural Dérive in Peter Riley’s Alstonefield
ABSTRACT Landscape poet Peter Riley uses the Situationist dérive in order to negotiate the cultural landscape of the British countryside, his collection Alstonefield (2002) forming a psychogeographic investigation into spaces of nostalgia, contradiction and pastoralism in British ruralism. This essay will argue that Riley adapts the urban dérive for a contemporary rural landscape, exploring the radicalisms of pastoral tropes and exposing the spectacle in British rural perceptions. Using the framework of Phil Smith Mythogeography, a contemporary theatrical adaption of the Situationist dérive, my aim is to explore the role of walking as a negotiation of rural spectacle within the wider Radical Landscape Poetry movement.