komunitas谱系:印度尼西亚万隆社会形态的多样性及其意义

IF 0.5 3区 社会学 Q3 ANTHROPOLOGY
Dayana Lengauer
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引用次数: 4

摘要

万隆到处都是青年社团组织的活动。这些社会形态在规模、连贯性、活动、媒介化、制度背景、内部等级、性别和年龄构成方面表现出惊人的多样性。尽管存在这种差异,但它们都有相似的价值观,比如同侪团结、创造力或友谊。通过关注特定群体的形成——所谓的komunitas perdamaian,字面意思是和平社区——我追寻万隆komunitas的谱系,试图揭示这一现象的社会和话语演变。根据我在万隆一年的田野调查中获得的人种学数据,我认为至少有四种不同形式的公社在不同的历史时刻变得突出,它们告诉我们这些社会形态今天的意义:(a)产生了1998年改革运动风格的朋克/独立集体;(b)在2000年代将创意推广为万隆商标的年轻企业家群体;以及(最近的)(c)伊斯兰教传教;和平运动,两者都是创造力和团结的缩影,但规模不同,目的也不同。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A genealogy of komunitas: Varieties of social formation and their signification in Bandung, Indonesia

Bandung is bustling with the activities of young people organised in komunitas. These social formations display a striking variety in terms of size, coherence, activity, mediatisation, institutional background, internal hierarchies, gender and age composition. Despite this heterogeneity, they capitalise on similar values, like peer solidarity, creativity or friendship. By attending to the formation of specific groups—so called komunitas perdamaian, literally peace communities—I pursue a genealogy of Bandung's komunitas, seeking to uncover the social and discursive evolution of this phenomenon. Drawing on ethnographic data from 1-year of fieldwork in Bandung, I argue that there are at least four variants of komunitas that became salient in distinct historical moments informing the ways these social formations are signified today: (a) punk/indie collectives that produced the style of the 1998 reform movement; (b) groups of young entrepreneurs that popularised creativity as Bandung's trademark in the 2000s; and (more recently) (c) Islamic proselytisation; and (d) peace movements, both of which epitomise creativity and solidarity, yet on different scales and to different ends.

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来源期刊
CiteScore
1.50
自引率
12.50%
发文量
38
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