另一个摩洛哥:美国如何看待东方

Abdelghani El Mitry
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引用次数: 0

摘要

本文考察了不同历史时期摩洛哥在美国文化中的形象。它的主要目的是提供对文化碰撞的批判性分析,特别关注美国视角如何塑造摩洛哥作为“他者”的代表。本文的目的不仅是强调受东方主义话语影响的各种文本和视觉描述,这些描述被用来代表国家和人民,而且还探讨了美国在东方主义叙事中的历史参与。对美国和西方对摩洛哥的看法的考察导致了对爱德华·萨义德的东方主义的讨论,重新考虑了它的一些理论局限性。具体来说,赛义德对美国东方学知识体系的忽视和对美国博览会展览的疏忽塑造了维多利亚时代流行的东方观念。本文还探讨了东方学在东方化背景下未能批判性地参与原住民的代理,以及东方学对东方他者在被转移到中心时如何反应和行动的有限探索,以及东方从“他者”到“自我”、从边缘到范式中心的转变的含义
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE OTHER MOROCCO: HOW AMERICA PERCEIVES THE ORIENT
This paper examines the portrayal of Morocco in American culture throughout different historical periods. Its main objective is to provide a critical analysis of cultural encounters, particularly focusing on how the American perspective shapes the representation of Morocco as the “Other.” The aim of this paper is not only to highlight the various textual and visual depictions influenced by Orientalist discourse used to represent the country and its people, but also to explore America's historical involvement in the narrative of Orientalism. The examination of American and Western perceptions of Morocco leads to a discussion on Edward Said’s Orientalism, reconsidering some of its theoretical limitations. Specifically, Said's neglect of American Orientalist knowledge systems and the oversight of American fair exhibits in shaping popular Victorian perceptions of the Orient. The paper also addresses Orientalism’s failure to critically engage with the agency of natives within an orientalized context and its limited exploration of how the Oriental Other, when displaced to the center, reacts and acts, as well as the implications of the Orient transitioning from the “Other” to the “Self” and from the margins to the center of the paradigm
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