约翰·海维赛德的《1839年公共敬拜赞美诗手册》:南非第一部圣公会韵律赞美诗和赞美诗集

IF 0.4 0 MUSIC
Andrew-John Bethke
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引用次数: 0

摘要

摘要本文考察约翰·海维赛德的《公众敬拜赞美诗手册》(以下简称《手册》),并将其语境化。它于1839年在格雷厄姆斯敦出版,当时在开普殖民地。该手册是最早的南非圣公会诗集和赞美诗的时代。这篇文章试图证明手册的编辑清楚地理解和欣赏赞美诗的垄断在1820年被打破后赞美诗的逐渐普及。这也表明,他热衷于向自己的教会介绍最新的国际潮流,不仅来自圣公会,也来自卫理公会和公理会赞美诗。它继续集中在Heavyside的汇编,检查其内容,并试图推断哪些来源被用于选择赞美诗。Heavyside的编辑技巧的检查包括确定他的某些赞美诗的上下文定位。分析包括对四首当地创作的赞美诗的评论,这些赞美诗构成了手册的一部分,并介绍了它们可能的作者。文章最后简要地考察了赞美诗是如何被当地社区接受的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
John Heavyside's Manual of Psalmody for Public Worship of 1839: South Africa's First Anglican Collection of Metrical Psalms and Hymns
Abstract This article examines and contextualises John Heavyside's Manual of Psalmody for Public Worship (hereafter simply referred to as the Manual). It was published in 1839 in Grahamstown which, at the time, was in the Cape Colony. The Manual is the earliest South African Anglican collection of metrical psalms and hymns from the era. The article seeks to demonstrate that the Manual's editor clearly understood and appreciated the gradual popularisation of hymnody after the monopoly of metrical psalmody had been broken in 1820. It shows, too, that he was keen to introduce his own congregation to the newest international trends, not only from Anglican circles, but also Methodist and Congregational hymnody. It continues by concentrating on Heavyside's compilation, examining its contents and attempting to deduce which sources were consulted for the choice of hymns. An examination of Heavyside's editorial techniques is included to determine his contextual positioning of certain hymns. The analysis includes a commentary on the four locally composed hymns which form part of the Manual, along with an introduction to their possible author. The article concludes with a brief examination of how the hymnbook was received by the local community.
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