物质诗学、忧郁与Lichenized的后人类:艺术家和作家如何呈现人类世时代人类与非人类他人之间相互联系的生活愿景以及后世的方法

Q2 Arts and Humanities
Hat Fidkin
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引用次数: 0

摘要

如果说《物质、诗学、杂糅和Lichenised postthuman》是对生活中相互关联的碎片的普遍审视,那么《以后的方法》则是对艺术家自第一篇论文最初提交以来生活中发生的事情的更个人化的审视。费金用他们的物质诗学理论作为处理悲伤、体验快乐、痛苦和疾病的工具,并理解它们不断进化的存在以及与超越人类的联系。无论是痛苦的还是无关紧要的事件,都在分子水平上被仔细审视,试图在根茎思维和个人逆境与快乐之间找到相似之处。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Matter Poetics, Melange and the Lichenised Posthuman: How artists and writers present visions of an inter-connected life between man and non-human others in the age of the Anthropocene and Method/s for Hereafter
If Matter Poetics, Melange and the Lichenised Posthuman is a universal examination of the interconnected fragments of life, Method/s for Hereafter is a far more personal look into what has transpired in the artist’s life since the original submission of the first essay. Fidkin uses their theory of Matter Poetics as a tool for processing grief, experiencing pleasure, suffering and sickness, and understanding their ever-evolving existence and connection to the more-than-human. Events – both poignant and inconsequential – are scrutinized at a molecular level, attempting to draw parallels between rhizomatic thinking and personal adversity and joy.
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来源期刊
Journal of Writing in Creative Practice
Journal of Writing in Creative Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.50
自引率
0.00%
发文量
8
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