从考古学、景观学和英国民族主义的视角解读吉卜林的《大地》

IF 0.8 4区 历史学 0 ARCHAEOLOGY
G. Moshenska, Dale Daykin, Yangmengsha Guo, Julia Schmidt, Elise Unwin, Jelena Wehr
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引用次数: 0

摘要

鲁迪亚德·吉卜林被贝特曼家周围的苏塞克斯风景迷住了。他的许多故事和诗歌都以这片风景为背景,并借鉴了其丰富的历史、考古和民间传说。在本文中,我们考察了吉卜林1917年的诗歌《大地》,这首诗将景观考古学和民族主义起源神话交织在一起。《大地》讲述了一片苏塞克斯郡的土地,从罗马时代的英国到现在的殖民地主,以及照顾它的霍布登农民家族的几代人的故事。在审视这首诗时,我们考虑了吉卜林所唤起的英国性观念,他们与苏塞克斯乡村现实的脱节,他们的战争和革命背景,以及考古学在民族主义神话创造中的应用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reading Kipling’s The Land Through a Lens of Archaeology, Landscape, and English Nationalism
Rudyard Kipling was enchanted by the Sussex landscape surrounding his house, Bateman’s. Many of his stories and poems are set in this landscape, and draw on its rich history, archaeology, and folklore. In this paper we examine Kipling’s 1917 poem The Land, which weaves together strands of landscape archaeology and nationalist origin mythology. The Land is the story of a single Sussex field, its colonial landowners from Roman Britain to the present, and the generations of the peasant Hobden family who care for it. In examining the poem we consider the notions of Englishness that Kipling conjures, their disconnection from the realities of rural Sussex, their contexts of war and revolution, and the uses of archaeology in the creation of nationalist myth.
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来源期刊
Public Archaeology
Public Archaeology ARCHAEOLOGY-
CiteScore
2.70
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