汉斯·阿尔弗莱德森的《法兰克福花》中文字、音乐和图像的游戏

IF 0.1 0 LITERATURE
Björn Sundmark, Annette Mars
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引用次数: 0

摘要

摘要:本文运用游戏理论对汉斯·阿尔弗雷德森1965年的留声机和儿童绘本《法兰克福汇报》进行了分析。有人认为,约翰·惠津加的戏剧理论为跨媒体讲故事提供了一种特别富有成效的方法。分析的重点是Blommig falukorv的歌曲/文本,将其分类为“关于游戏的歌曲”、“有趣的幽默和废话”和“最年轻人的色情附录”。我们对Blommig falukorv的阅读表明,游戏理论为跨媒体讲故事提供了一种有用的方法;此外,《Blommig falukorv》似乎是一部特别丰富的讲故事剧,在题材的选择、语言形式、视觉风格、音乐创作、配器以及口头表达和表演方面都有体现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Play of Words, Music, and Images in Hans Alfredson's Flowery Frankfurters
Abstract:In this article, Hans Alfredson's 1965 phonogram (LP) and illustrated children's book Blommig falukorv (Flowery Frankfurters) are analyzed with the help of play theory. The argument is that Johan Huizinga's theory of play provides a particularly fruitful approach to storytelling across media. The analysis focuses on a selection of the songs/texts from Blommig falukorv, categorizing them under the headings "Songs about Play," "Playful Humor and Nonsense," and "A Pornographic Appendix for the Youngest." Our reading of Blommig falukorv shows that play theory provides a useful approach to storytelling across media; in addition, Blommig falukorv appears to be a particularly rich case of storytelling play, as witnessed in the choice of subjects, language forms, visual style, musical composition, orchestration, and oral delivery and performance.
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CiteScore
0.30
自引率
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发文量
38
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