教育中的隐喻

Pub Date : 2021-10-12 DOI:10.1075/msw.11.2
Maureen Kortens
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引用次数: 1

摘要

没有隐喻,桌子上就没有腿,时钟上就没有手。这些都是死的隐喻。即使是这种表达也是一种隐喻,因为从未真正出生过的东西怎么可能已经死了。这是一个无法从字面上理解的表达。在它的第一次使用中,它是“活着的”,在某种意义上是新的、诙谐的、恰当的和令人难忘的。如果没有隐喻,我们就会沦为语言的精华,沦为一种奥威尔式的新闻高峰。人们很难避免使用隐喻来解释它们。即使是科学家和数学家也使用隐喻,但他们通常将其称为模型。隐喻是语言的一种功能,它使我们具有创造性。不仅是创造、发明或思考新隐喻的人,也是为自己构建个人意义的听众或读者。我们谈到教育中的创造力,认为这是一种需要鼓励和发展的人的能力。人类的创造力有多大?除了复制自己,他们真的“创造”过什么新东西吗?任何创造性的活动,如绘画、建筑或园艺,都是对已经创造的元素的重新组织。因此,人类喜欢“创造”他们自己的秩序、形式或模式,我们称之为艺术。语言能够产生无尽的模式。通常被称为语法的基本模式似乎是天生的,在言语和写作中,我们使用这些“内置”结构来创建自己的新句子。在最高层次上,我们称之为文学。我们花了一些时间才意识到,一个词本身没有意义,因为它只是一个象征。对于那些难以解释的经验方面,我们转向隐喻。因此,宗教经常使用神话和符号。人类学将许多人类活动描述为隐喻,例如神话或图腾崇拜。实际上,人类活动的每个领域都充满了这种神奇的隐喻品质,因为它通过给我们一种“弹性”的方式来描述我们的经历,从而扩展了我们对世界的理解。这不是作家或诗人的特权,而是我们所有人都拥有的一种权力,在我们的历史上,这种权力有时会被嘲笑和滥用。直到现在,它才越来越被认为是一种值得研究的人类能力。在这项工作中,我深入研究了隐喻使用的一些方面,以表明我们需要如何意识到它强大而普遍的力量,尤其是我们这些参与教学的人,我将试图为他们证明教学本身就是一种隐喻活动。
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Metaphor in Education
Without metaphor there would be no legs on the table, no hands on the clock. These are dead metaphors. Even that expression is a metaphor, for how can something be dead that has never literally been born. It is an expression which cannot be taken literally. In its first use it was 'alive' in the sense of being new or witty or apt and memorable. Without metaphor we are reduced to the bare bones of language, to a kind of Orwellian Newspeak. One can hardly avoid using metaphors to explain them. Even scientists and mathematicians use metaphors but they usually refer to them as models. Metaphor is a function of language which enables us to be creative. Not only the person who coins, invents, or thinks of the new metaphor but also the listener or reader who constructs a personal meaning for him or her self. We speak of creativity in education, as a human capacity to be encouraged and developed. How creative can humans be? Do they ever really 'create' anything new apart from reproductions of themselves? Any creative activity such as painting, building or gardening is really re-organising elements already created. So humans enjoy 'creating' their own order, forms, or patterns which we call art. Language is capable of endless patterns. The basic patterns, usually known as grammar, appear to be innate and in speech and writing we use these 'inbuilt' structures to create new sentences of our own. At its highest level we call this literature. It has taken us some time to realise that a word in itself has no meaning as it is a symbol only. For those aspects of experience which are difficult to explain we turn to metaphor. Thus religions often use myths and symbols. Anthropology describes many human activities as metaphoric, for example myths or totemism. Practically every sphere of human activity is imbued with this magical quality of metaphor, for it extends our understanding of the world by giving us a kind of 'elastic' way of describing our experiences. It is not the prerogative of writers or poets but a power we all possess and one which has been derided and abused at times in our history. Only now is it increasingly being recognized as a human capacity worthy of study. In this work I delve into some aspects of the use of metaphor to show how we need to be aware of its potent, pervasive power, especially those of us involved in teaching for whom I will attempt to demonstrate that teaching is itself a metaphoric activity.
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